Identification of 17th-18th-Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Microinvasive Analytical Techniques
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Summary
This summary is machine-generated.This study analyzes 17th-18th century Peruvian church murals, revealing a diverse colonial pigment palette including hematite, carmine, copper greens, indigo, and smalt. Findings enhance understanding of pigment use and preservation for cultural heritage.
Area Of Science
- Art Conservation Science
- Materials Science
- Archaeometry
Background
- Colonial-era mural paintings in Peru offer insights into artistic practices.
- Understanding pigment provenance and application is crucial for conservation.
Purpose Of The Study
- To investigate the pigments and preparation layers of 17th-18th century murals in Marcapata and Canincunca churches.
- To identify pigment materials and understand their application and degradation.
Main Methods
- Microinvasive analysis using optical microscopy, scanning electron microscopy with energy-dispersive spectroscopy (SEM-EDS), and Raman microspectroscopy.
- Analysis of microsamples from mural paintings.
Main Results
- Identified a gypsum/anhydrite preparation layer on adobe walls.
- Revealed a palette including hematite (red), carmine (red), antlerite and posnjakite (green), indigo (blue), and smalt (blue).
- Posnjakite and smalt were identified as significant components in Andean mural painting for the first time.
Conclusions
- The study deepens understanding of colonial pigment selection, preparation, and degradation.
- Interdisciplinary approaches are vital for advancing knowledge and preservation of Hispanic-American colonial art.
- Findings contribute to developing sustainable conservation strategies for cultural heritage.

