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The study of music provides many examples of the superposition of waves and the constructive and destructive interference that occurs. Very few examples of music being performed consist of a single source playing a single frequency for an extended period of time. A single frequency of sound for an extended period might be monotonous to the point of irritation, similar to the unwanted drone of an aircraft engine or a loud fan. Music is pleasant and exciting due to mixing the changing frequencies...
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  6. Soundscape And Worship Experience Of Contemporary Worship Music: A Case Study In Malaysia
  1. Home
  2. Research Domains
  3. Indigenous Studies
  4. Mātauranga Māori (māori Education)
  5. Ngā Tikanga Mātauranga O Te Māori (māori Educational Methods)
  6. Soundscape And Worship Experience Of Contemporary Worship Music: A Case Study In Malaysia

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Soundscape and worship experience of contemporary worship music: A case study in Malaysia

Reece S Puay1, Bhan Lam2, Andrew Mitchell3

  • 1Department of Music, Faculty of Human Ecology, Universiti Putra Malaysia, 43400 UPM Serdang, Malaysia.

The Journal of the Acoustical Society of America
|June 17, 2025

View abstract on PubMed

Summary
This summary is machine-generated.

Contemporary worship music (CWM) in churches can be loud, with many congregants finding it harmful to hearing. Improving sound quality and awareness of auditory health can enhance worship experiences.

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Area of Science:

  • Acoustics
  • Musicology
  • Audiology

Background:

  • Contemporary worship music (CWM) utilizes sound reinforcement systems, raising concerns about sound levels and congregant experience.
  • Understanding the acoustic environment and its impact on worship is crucial for church communities.

Purpose of the Study:

  • To investigate sound levels and congregant experiences of CWM in a Malaysian church.
  • To explore the relationship between perceived sound levels, auditory health, and overall worship experience.

Main Methods:

  • Convergent mixed methods approach combining sound level measurements (LAeq), questionnaires (86 respondents), and semi-structured interviews (8 informants).
  • Analysis of average sound levels during four worship sessions.
  • Correlation analysis between perceived sound levels, auditory health perception, and worship experience factors.

Main Results:

  • Average sound level measured at 85.8 dB.
  • 66.3% perceived sound levels as loud; 54.6% as harmful to hearing.
  • Perceived sound levels, ISO Pleasantness, and audibility of singing significantly predicted overall worship experience, explaining 39.1% of variance.

Conclusions:

  • Congregant experiences of CWM soundscapes vary, influenced by perceived control, participation ability, and socio-cultural values.
  • Recommendations include improving soundscape quality and raising auditory health awareness.
  • Addressing diverse needs and values is essential for a more inclusive and engaging CWM experience.