Between utopia and precarity: subsistence labour as embodied technology in Indian ecological documentaries

This paper analyses two Indian documentaries-Re-Imagining Leadership (2022) and Uttarakhand Women End Water Woes (2021)-to interrogate how the state-sponsored and non-governmental organisation-led discourses of women empowerment and environmental conservation frame women's ecological labour, particularly in the state of Uttarakhand, India. While the 2022 documentary presents a near-utopian model of women-led rural governance promoting subsistence economies, its narrative subtly tucks away the reliance on state support, frequently hinted at by the women leaders. This complicates its vision of a sustainable-financial independence and the promise of probable autonomy at the centre. The latter, documenting grassroots water revival initiatives by non-governmental aid, similarly highlights women's labour as an empowering solution for systemic failures and presents it as an embodied technology for guaranteed success. Drawing on Feminist Postcolonial Ecology, Feminist Science and Technology Studies and Postcolonial Development theory, I argue that these narratives aggrandise women's subsistence practices/labour as 'embodied technologies' to sustain ecological viability, hinging on a promise of increased agency at the centre. By contrasting romanticization of women's care work as 'empowerment', the study exposes the tension between celebrating localised women empowerment and the state's systematic obscuring of structural dependency and land dispossession. The study, therefore, contributes to debates on feminist sociological debates on gender, decolonial sustainability, and the political economy of visual storytelling.