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Related Experiment Video

Updated: Jul 15, 2026

Examining Changes in HRV and Emotion Following Artmaking with Three Different Art Materials
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Published on: January 11, 2020

Breaking with common practice: Exploring modernist musical emotion.

Max Delle Grazie1, Cameron J Anderson1, Michael Schutz1,2

  • 1Department of Psychology, Neuroscience & Behaviour, McMaster University, Hamilton, ON, Canada.

Psychology of Music
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Summary

This study reveals that prosodic cues like pitch and timing significantly influence perceived emotion in Shostakovich

Keywords:
commonality analysisemotionmodemusic analysismusicologyperceptionpsychology

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Area of Science:

  • Music Psychology
  • Music Theory
  • Computational Musicology

Background:

  • Musical emotion research links structure to affect.
  • Affective meaning of musical cues changes historically.
  • Common-practice period music analysis may not apply to later works.

Purpose of the Study:

  • Investigate perceived emotion in Dmitri Shostakovich's preludes.
  • Compare emotional cues in Shostakovich's music with Bach and Chopin.
  • Explore historical shifts in musical cue "meaning" and emotional communication.

Main Methods:

  • Perceived emotion ratings of 24 Shostakovich preludes (Op. 34).
  • Comparative analysis of musical cues (prosody, mode) across composers.
  • Score-based analysis complementing empirical perception data.

Main Results:

  • Prosodic cues (pitch height, timing) were stronger predictors of emotion than mode in Shostakovich's preludes.
  • Shostakovich utilized tonal mode differently than earlier composers like Bach and Chopin.
  • Findings highlight the evolving role of musical cues in conveying emotion.

Conclusions:

  • Modern compositions offer novel insights into historical changes in musical emotion.
  • Prosody plays a crucial role in perceived emotion, even within tonal frameworks.
  • Understanding historical shifts in cue usage is key to interpreting musical affect.