Auditory Numerosity Judgement Is Driven by Non-Spatial Factors Across Azimuth, Elevation, and Distance

Everyday listening often requires the auditory system to move beyond the perception of individual sound sources towards a more global representation of acoustic scenes. While auditory behaviour has been well characterised for one or a few sources, it remains unclear how listeners perceive scenes containing many simultaneous sounds. As multiple sound sources combine into a single acoustic mixture, separating individual sources becomes increasingly difficult, potentially requiring listeners to rely on summary representations rather than discrete object-based parsing. Auditory numerosity judgement, the ability to estimate how many distinct sound sources are present, can provide a way to probe how listeners perceive such complex acoustic scenes. Here, we measured numerosity judgements along the three dimensions of auditory space: azimuth, elevation, and distance, allowing each spatial axis to be examined in isolation. As these dimensions rely on markedly different spatial cues and differ strongly in spatial acuity, this design enabled the dissociation of spatial and non-spatial contributions to numerosity perception. Across dimensions, numerosity judgements showed no systematic relationship with individual spatial hearing performance. Speech intelligibility likewise exerted only a weak influence. In contrast, perceived numerosity was significantly modulated by the spectrotemporal coverage of the acoustic mixture, a summary statistic independent of spatial dimension or higher-lever linguistic factors. Together, these findings suggest that auditory numerosity judgement is largely insensitive to spatial hearing precision and instead reflects more general principles of how complex sound mixtures are represented at the scene level.