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Published on: May 8, 2021
Topology-Preserving Circular Emotion Representation for Modern Dance via Interpretable Laban Prototypes
Kai Qiu1, Zhihao Gong1,2, Zhidong Wang1
1Department of Dance, Graduate School, Sangmyung University, Seoul 03016, Republic of Korea.
Abstract:
Modern dance conveys complex emotions through continuous bodily movement, but assigning recorded motion to continuous affective coordinates remains challenging. This study examines the mapping of Laban Movement Analysis (LMA)-informed kinematic descriptors to predefined emotion prototypes in Russell's valence-arousal space. Thirty-one frame-level descriptors were extracted from recorded dance motion and temporally aggregated for circular-target regression. Four-quadrant classification and direct valence-arousal regression were also evaluated as separate modeling tasks. In the 12-category circular experiment, the selected ExtraTrees model was evaluated on 117 motion sequences using five-fold stratified cross-validation and obtained an angular mean absolute error of 36.765 ± 6.414° and a quadrant macro-F1 of 0.670 ± 0.094. These values measure prediction against assigned category-level affective targets. Shortest-arc interpolation of predefined prototype angles, combined with linear interpolation of their radii, produced continuous numerical paths in valence-arousal space; generated skeletal transitions were not evaluated. A separate questionnaire involving 36 observers assessed 24 videos of the recorded dancers. The findings provide preliminary evidence that the selected descriptors recover assigned affective direction in this recorded-dance dataset. Perceptual evaluation of generated skeletal or avatar motion and investigation of potential applications in immersive or digital-human settings remain future work.
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