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Aural harmonics: estimation consistency from tone-on-tone masking measurements
The Journal of the Acoustical Society of America
|June 1, 1978
Summary
Estimating subjective auditory signal amplitudes requires careful selection of tone-on-tone masking measurements. Averaging results from six or more measurements reliably estimates the second aural harmonic, minimizing phase angle variations.
Area of Science:
- Auditory perception
- Psychoacoustics
- Signal processing
Background:
- Inaudible auditory signal amplitudes are inferred using tone-on-tone masking.
- Methodological challenges include determining the optimal number and selection of measurements.
Purpose of the Study:
- To investigate the impact of sample size and masker:maskee phase angle on the estimation of subjective signal amplitudes.
- To determine reliable sampling strategies for inferring the second aural harmonic.
Main Methods:
- Tone-on-tone masking thresholds were measured using a 250-Hz masker and a 500-Hz maskee at various phase angles.
- Measurements were analyzed in subsamples of varying sizes (n=4 to 13).
- Estimates of the second aural harmonic were repeatedly calculated and averaged.
Main Results:
- For sample sizes (n) greater than 4, estimates of the second aural harmonic averaged within +/- 1 dB.
- Individual estimates showed considerable variation, especially with smaller sample sizes (up to 13 dB for n=4).
- Averaging over seven subjects with incrementing phase angles yielded estimates within 2 dB, despite individual variations up to 6 dB.
Conclusions:
- Sample sizes of six or more measurements provide reliable estimates of aural harmonic amplitudes.
- The choice of masker:maskee phase angles has minimal impact on amplitude estimation when using sufficient sample sizes (n>=6).
- This study clarifies sampling requirements for accurate psychoacoustic measurements.