Jove
Visualize
Contact Us
JoVE
x logofacebook logolinkedin logoyoutube logo
ABOUT JoVE
OverviewLeadershipBlogJoVE Help Center
AUTHORS
Publishing ProcessEditorial BoardScope & PoliciesPeer ReviewFAQSubmit
LIBRARIANS
TestimonialsSubscriptionsAccessResourcesLibrary Advisory BoardFAQ
RESEARCH
JoVE JournalMethods CollectionsJoVE Encyclopedia of ExperimentsArchive
EDUCATION
JoVE CoreJoVE BusinessJoVE Science EducationJoVE Lab ManualFaculty Resource CenterFaculty Site
Terms & Conditions of Use
Privacy Policy
Policies

Related Experiment Videos

Timbre discrimination in musical patterns

J M Grey

    The Journal of the Acoustical Society of America
    |August 1, 1978
    PubMed
    Summary
    This summary is machine-generated.

    Timbre perception in music differs based on context. Isolated tones are easier to distinguish for clarinet and trumpet, while bassoon timbre is best identified in single-voice musical patterns.

    Related Concept Videos

    You might also read

    Related Articles

    Articles linked to this work by shared authors, journal, and citation graph.

    Sort by
    Same author

    Living with family: perceptions of health and subjective well-being of adults with an intellectual disability.

    Journal of intellectual disability research : JIDR·2018
    Same author

    Multidimensional perceptual scaling of musical timbres.

    The Journal of the Acoustical Society of America·1977
    Same author

    [Augusto Brandão Filho].

    Revista brasileira de cirurgia·1957
    Same author

    [Orthodox and heterodox conduct in cancer surgery].

    Revista brasileira de cirurgia·1956
    Same author

    [Combined and synchronous operations in surgery of the esophagus; advantages of operations by two teams].

    Memoires. Academie de chirurgie (France)·1953
    Same author

    [Tactical and technical problems in surgery of thoracic esophagus; advantages of synchronized and combined operations].

    Revista brasileira de cirurgia·1952
    Same journal

    High-resolution depth estimation for multiple wideband sources in deep sea via sparse Bayesian learninga).

    The Journal of the Acoustical Society of America·2026
    Same journal

    Depression markers in speech: An approach based on tract variables dynamics.

    The Journal of the Acoustical Society of America·2026
    Same journal

    The oyster toadfish (Opsanus tau) alters active and diurnal calling amid vessel noise in New York City.

    The Journal of the Acoustical Society of America·2026
    Same journal

    Experimental noise characterisation of phase-locked tandem-rotor in edgewise flight.

    The Journal of the Acoustical Society of America·2026
    Same journal

    The tune-text-temporal synergy: Prosodic effects of final segmental weakening in Neapolitan.

    The Journal of the Acoustical Society of America·2026
    Same journal

    Monitoring vessel movement above critical offshore infrastructure using distributed acoustic sensing.

    The Journal of the Acoustical Society of America·2026
    See all related articles

    Area of Science:

    • Auditory perception
    • Music cognition
    • Acoustics

    Background:

    • Timbre perception research traditionally focuses on isolated tones.
    • Musical context significantly influences auditory perception.
    • Understanding timbre discrimination in varied contexts is crucial for music cognition.

    Purpose of the Study:

    • To compare timbre discrimination of isolated tones versus tones within musical contexts.
    • To investigate how single-voice and multivoice musical patterns affect timbre perception.
    • To analyze instrument-specific differences in timbre discrimination across contexts.

    Main Methods:

    • Listeners judged timbre changes in isolated tones, single-voice, and multivoice musical patterns.
    • Twelve distinct contexts were evaluated, including four isolated tonal comparisons.

    Related Experiment Videos

  • Three instrumental timbres (clarinet, trumpet, bassoon) were synthesized with varying physical information.
  • Main Results:

    • Discrimination varied by instrument and context.
    • Clarinet and trumpet timbre were best identified in isolation, decreasing in complex contexts.
    • Bassoon timbre showed highest discrimination in single-voice patterns, with similar performance in isolated and multivoice contexts.

    Conclusions:

    • Musical context significantly impacts timbre discrimination, with instrument-specific effects.
    • Physical spectral differences between synthesized instrument versions may explain context-dependent discrimination.
    • Further research should explore the acoustic features driving these perceptual differences.