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Loudness growth of musically complex stimuli
Summary
Young adults
Area of Science:
- Psychoacoustics
- Auditory Perception
- Music Cognition
Background:
- Loudness perception research traditionally uses simple stimuli like pure tones.
- Previous studies show differences in loudness perception between speech and non-speech sounds.
- The role of acoustic variability versus non-acoustic factors in these differences remains unclear.
Purpose of the Study:
- To investigate loudness perception of complex musical stimuli in young adults.
- To compare loudness perception functions for orchestral music with those for pure tones and speech.
- To explore factors influencing loudness judgments beyond acoustic properties.
Main Methods:
- 11 young adults with musical training and experience in magnitude estimation participated.
- Participants judged the loudness of 3 orchestral excerpts (15-25 sec) varying in 5-dB steps over a 35-dB range.
- Excerpts varied in pitch and loudness characteristics.
Main Results:
- Power functions for loudness judgments of orchestral excerpts showed slopes and determination indexes within the typical range for pure tones and white noise.
- These measures significantly differed from those reported for continuous speech stimuli.
- Loudness perception of orchestral music followed similar acoustic principles as non-speech sounds.
Conclusions:
- Acoustic variability alone does not fully explain differences in loudness perception between speech and non-speech stimuli.
- Non-acoustic factors, such as semantic meaning, likely contribute significantly to loudness judgments of speech.
- This suggests a more complex interplay of factors in auditory perception than previously assumed.