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[Creativity and art from the psychopathologic view]

A Bader

    Schweizer Archiv Fur Neurologie, Neurochirurgie Und Psychiatrie = Archives Suisses De Neurologie, Neurochirurgie Et De Psychiatrie
    |January 1, 1980
    PubMed
    Summary
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    Psychiatric art research has shifted from viewing patient creations as mere symptoms to recognizing them as authentic artistic products. This evolution reflects a growing appreciation for the psychology of creativity in individuals with psychiatric conditions.

    Area of Science:

    • Psychiatry and Art History
    • Psychopathology and Psychology of Creativity

    Context:

    • Historical divergence in psychiatric art interpretation: Mohr (symptoms) vs. Péja (creative products).
    • Recent theoretical crystallization influenced by Navratil's work.
    • Evolution from psychopathology of creativity to psychology of creativity, following Prinzhorn.

    Purpose:

    • To provide a concise account of the historical development of research on pictorial expression in psychiatric patients.
    • To clarify the relationship between general creativity/artistic activity and the art produced by psychiatric patients.

    Summary:

    • The essay traces the historical trajectory of understanding art created within psychiatric contexts.
    • It highlights a paradigm shift from viewing art as a symptom of illness to acknowledging its creative merit.

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  • Contemporary research increasingly focuses on the psychology of creativity, moving beyond psychopathology.

    • Impact:

    • Recognizes psychotic art as legitimate art, challenging previous negative valuations.
    • Promotes a positive evaluation of the creative act in individuals with psychiatric or brain-damaged conditions.
    • Fosters a more positive and respectful attitude towards patients producing such artwork.