[Artistic dream reconstructions of the Wolf Man in the light of experimental findings]

The authors take the famous dream picture by the "wolf-man" as the starting-point for experimental research of their own and relate the one to the other. They see the significance of pictorial representations of dreams less in the supplementary information they convey about the "text" of dreams than in the fact that they give separate expression to motility-based "gesture-associated" memories and ideas. These need to be distinguished from "language-associated" memories as there are dissociated modes of encoding experience underlying verbal and pictorial representation. The splitting of these modes into different part-codes is an important component of repression. In addition, the pictorial representation of dreams enables the patient to re-associate part-codes and thus achieve a "deferred" reconstruction and complementation of significant experiences. In the authors view, pictorial representation is favorable to the discovery of repressed material; it is as yet however impossible to say exactly what relationship there is between verbalized and pictorial representation in the context of analysis.