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Journal of Experimental Psychology. Human Perception and Performance|February 1, 1982
Context independence and phonetic mediation in categorical perceptionA F Healy, B H ReppJournal of Experimental Psychology. Human Perception and Performance|February 1, 1979
Categories and context in the perception of isolated steady-state vowelsB H Repp, A F Healy, R G CrowderPsychological Research|January 1, 1997
The effect of tempo on pedal timing in piano performanceB H ReppThe Journal of the Acoustical Society of America|July 27, 1999
A microcosm of musical expression. III. Contributions of timing and dynamics to the aesthetic impression of pianists' performances of the initial measures of Chopin's Etude in E majorB H ReppMemory & Cognition|February 3, 2011
Effects of fundamental frequency contrast on discrimination and identification of dichotic CV syllables at various temporal delaysB H ReppThe Journal of the Acoustical Society of America|August 1, 1990
Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianistsB H ReppThe Journal of the Acoustical Society of America|November 1, 1992
Diversity and commonality in music performance: an analysis of timing microstructure in Schumann's "Träumerei"B H ReppCognition|September 1, 1992
Probing the cognitive representation of musical time: structural constraints on the perception of timing perturbationsB H ReppJournal of Experimental Psychology. Human Perception and Performance|December 1, 1985
Perceptual coherence of speech: stability of silence-cued stop consonantsB H ReppJournal of Experimental Psychology. Human Perception and Performance|June 17, 1998
Variations on a theme by chopin: relations between perception and production of timing in musicB H ReppPageof 9