Showing results (11-20 of 86) with videos related to
Sort By:
Pageof 9
The Journal of the Acoustical Society of America|November 1, 1987
On the possible role of auditory short-term adaptation in perception of the prevocalic [m]-[n] contrastB H ReppThe Journal of the Acoustical Society of America|August 26, 1998
A microcosm of musical expression. I. Quantitative analysis of pianists' timing in the initial measures of Chopin's Etude in E majorB H ReppThe Journal of the Acoustical Society of America|May 1, 1986
Some observations on the development of anticipatory coarticulationB H ReppThe Journal of the Acoustical Society of America|March 25, 1999
A microcosm of musical expression: II. Quantitative analysis of pianists' dynamics in the initial measures of Chopin's Etude in E majorB H ReppThe Journal of the Acoustical Society of America|June 1, 1995
Acoustics, perception, and production of legato articulation on a digital pianoB H ReppPsychological Research|January 1, 1994
Relational invariance of expressive microstructure across global tempo changes in music performance: an exploratory studyB H ReppThe Journal of the Acoustical Society of America|April 1, 1987
The sound of two hands clapping: an exploratory studyB H ReppPerception & Psychophysics|May 20, 1999
Detecting deviations from metronomic timing in music: effects of perceptual structure on the mental timekeeperB H ReppJournal of Experimental Psychology. Human Perception and Performance|June 27, 2001
Phase correction, phase resetting, and phase shifts after subliminal timing perturbations in sensorimotor synchronizationB H ReppThe Journal of the Acoustical Society of America|November 1, 1995
Expressive timing in Schumann's "Träumerei:" an analysis of performances by graduate student pianistsB H ReppPageof 9