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The Journal of the Acoustical Society of America|December 1, 1996
Patterns of note onset asynchronies in expressive piano performanceB H Repp
Perception|January 1, 1997
Spectral envelope and context effects in the tritone paradoxB H Repp
The Journal of the Acoustical Society of America|January 1, 1980
Stimulus dominance in fused dichotic syllables: trouble for the category goodness hypothesisB H Repp
The Journal of the Acoustical Society of America|May 1, 1981
On levels of description in speech researchB H Repp
The Journal of the Acoustical Society of America|July 1, 1996
The dynamics of expressive piano performance: Schumann's "Träumerei" revisitedB H Repp
The Journal of the Acoustical Society of America|June 1, 1986
Perception of the [m]-[n] distinction in CV syllablesB H Repp
The Journal of the Acoustical Society of America|November 1, 1988
Detectability of words and nonwords in two kinds of noiseB H Repp, R Frost
The Journal of the Acoustical Society of America|January 1, 1988
Perception of the [m]-[n] distinction in VC syllablesB H Repp, K Svastikula
The Journal of the Acoustical Society of America|April 1, 1981
Perceptual assessment of fricative--stop coarticulationB H Repp, V A Mann
Language and Speech|January 1, 1989
Cues to the perception of Taiwanese tonesH B Lin, B H Repp
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