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Psychology of Music|December 26, 2017
Beating time: How ensemble musicians' cueing gestures communicate beat position and tempoLaura Bishop, Werner GoeblFrontiers in Psychology|December 5, 2022
Judgment of togetherness in performances by musical duosSara D'Amario, Werner Goebl, Laura BishopThe Journal of the Acoustical Society of America|September 15, 2005
Touch and temporal behavior of grand piano actionsWerner Goebl, Roberto Bresin, Alexander GalemboThe Journal of the Acoustical Society of America|November 7, 2014
Perception of touch quality in piano tonesWerner Goebl, Roberto Bresin, Ichiro FujinagaConsciousness and Cognition|January 21, 2019
Eye gaze as a means of giving and seeking information during musical interactionLaura Bishop, Carlos Cancino-Chacón, Werner GoeblFrontiers in Psychology|January 8, 2024
Body motion of choral singersSara D'Amario, Sten Ternström, Werner Goebl, et al.Psychological Research|April 19, 2023
Interperformer coordination in piano-singing duo performances: phrase structure and empathy impactSara D'Amario, Harald Schmidbauer, Angi Roesch, et al.Frontiers in Psychology|May 16, 2018
Analysis of Tonguing and Blowing Actions During Clarinet PerformanceMontserrat Pàmies-Vilà, Alex Hofmann, Vasileios ChatziioannouJournal of New Music Research|April 8, 2020
The influence of the vocal tract on the attack transients in clarinet playingMontserrat Pàmies-Vilà, Alex Hofmann, Vasileios ChatziioannouJASA Express Letters|March 11, 2024
Physics-based playability maps for single-reed woodwind instrumentsVasileios Chatziioannou, Montserrat Pàmies-Vilà, Alex HofmannPageof 3