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BMC Neuroscience|July 16, 2010
Control of multi-joint arm movements for the manipulation of touch in keystroke by expert pianistsShinichi Furuya, Eckart Altenmüller, Haruhiro Katayose, et al.Frontiers in Psychology|May 25, 2012
Task-irrelevant auditory feedback facilitates motor performance in musiciansVirginia Conde, Eckart Altenmüller, Arno Villringer, et al.Annals of the New York Academy of Sciences|April 7, 2006
Remember Bach: an investigation in episodic memory for musicSusann Eschrich, Thomas F Münte, Eckart O AltenmüllerBMC Neuroscience|August 19, 2006
Classical conditioned responses to absent tonesMarc Bangert, Uwe Jürgens, Udo Häusler, et al.Annals of the New York Academy of Sciences|December 19, 2003
Brain processing of meter and rhythm in music. Electrophysiological evidence of a common networkHeleln Kuck, Michael Grossbach, Marc Bangert, et al.Human Movement Science|January 17, 2002
Focal dystonia: current theoriesV K Lim, E Altenmüller, J L BradshawThe Journal of the Acoustical Society of America|June 7, 2007
Loudness control in pianists as exemplified in keystroke force measurements on different touchesHiroshi Kinoshita, Shinichi Furuya, Tomoko Aoki, et al.Movement Disorders : Official Journal of the Movement Disorder Society|September 25, 2004
Anxiety in musicians with focal dystonia and those with chronic painHans-Christian Jabusch, Sandra V Müller, Eckart AltenmüllerFrontiers in Human Neuroscience|July 25, 2013
Alteration in forward model prediction of sensory outcome of motor action in focal hand dystoniaAndré Lee, Shinichi Furuya, Matthias Karst, et al.Scientific Reports|August 21, 2015
Losing dexterity: patterns of impaired coordination of finger movements in musician's dystoniaShinichi Furuya, Kenta Tominaga, Fumio Miyazaki, et al.Pageof 35