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The Journal of the Acoustical Society of America|April 5, 2017
Predicting the perception of performed dynamics in music audio with ensemble learningAnders Elowsson, Anders FribergThe Journal of the Acoustical Society of America|June 22, 2015
Modeling the perception of tempoAnders Elowsson, Anders FribergThe Journal of the Acoustical Society of America|October 18, 2014
Using listener-based perceptual features as intermediate representations in music information retrievalAnders Friberg, Erwin Schoonderwaldt, Anton Hedblad, et al.The Journal of the Acoustical Society of America|November 15, 2018
Prediction of three articulatory categories in vocal sound imitations using models for auditory receptive fieldsAnders Friberg, Tony Lindeberg, Martin Hellwagner, et al.The Journal of the Acoustical Society of America|August 6, 2020
Polyphonic pitch tracking with deep layered learningAnders ElowssonCortex; a Journal Devoted to the Study of the Nervous System and Behavior|June 24, 2011
Emotion rendering in music: range and characteristic values of seven musical variablesRoberto Bresin, Anders FribergThe Journal of the Acoustical Society of America|October 7, 2011
Influence of pitch, loudness, and timbre on the perception of instrument dynamicsMarco Fabiani, Anders FribergPlos One|March 31, 2015
Idealized computational models for auditory receptive fieldsTony Lindeberg, Anders FribergFrontiers in Psychology|December 27, 2023
Probing the underlying principles of dynamics in piano performances using a modelling approachGabriel Jones, Anders FribergEmotion (Washington, D.C.)|October 13, 2022
Relations between perceived affect and liking for melodies and visual designsAna Clemente, Anders Friberg, André HolzapfelPageof 5