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Anders Friberg

Showing results (1-10 of 45) with videos related to

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Cortex; a Journal Devoted to the Study of the Nervous System and Behavior|June 24, 2011
Emotion rendering in music: range and characteristic values of seven musical variablesRoberto Bresin, Anders Friberg
The Journal of the Acoustical Society of America|October 7, 2011
Influence of pitch, loudness, and timbre on the perception of instrument dynamicsMarco Fabiani, Anders Friberg
Plos One|March 31, 2015
Idealized computational models for auditory receptive fieldsTony Lindeberg, Anders Friberg
The Journal of the Acoustical Society of America|June 22, 2015
Modeling the perception of tempoAnders Elowsson, Anders Friberg
Frontiers in Psychology|December 27, 2023
Probing the underlying principles of dynamics in piano performances using a modelling approachGabriel Jones, Anders Friberg
The Journal of the Acoustical Society of America|April 5, 2017
Predicting the perception of performed dynamics in music audio with ensemble learningAnders Elowsson, Anders Friberg
Emotion (Washington, D.C.)|October 13, 2022
Relations between perceived affect and liking for melodies and visual designsAna Clemente, Anders Friberg, André Holzapfel
Frontiers in Psychology|August 3, 2013
Emotional expression in music: contribution, linearity, and additivity of primary musical cuesTuomas Eerola, Anders Friberg, Roberto Bresin
Frontiers in Psychology|April 16, 2019
A Computational Model of Immanent Accent Salience in Tonal MusicErica Bisesi, Anders Friberg, Richard Parncutt
Neuroimage|December 6, 2016
Experience-dependent modulation of right anterior insula and sensorimotor regions as a function of noise-masked auditory feedback in singers and nonsingersBoris Kleber, Anders Friberg, Anthony Zeitouni, et al.
Pageof 5

Showing results (1-10 of 45) with videos related to

Sort By:
Pageof 5
Cortex; a Journal Devoted to the Study of the Nervous System and Behavior|June 24, 2011
Emotion rendering in music: range and characteristic values of seven musical variablesRoberto Bresin, Anders Friberg
The Journal of the Acoustical Society of America|October 7, 2011
Influence of pitch, loudness, and timbre on the perception of instrument dynamicsMarco Fabiani, Anders Friberg
Plos One|March 31, 2015
Idealized computational models for auditory receptive fieldsTony Lindeberg, Anders Friberg
The Journal of the Acoustical Society of America|June 22, 2015
Modeling the perception of tempoAnders Elowsson, Anders Friberg
Frontiers in Psychology|December 27, 2023
Probing the underlying principles of dynamics in piano performances using a modelling approachGabriel Jones, Anders Friberg
The Journal of the Acoustical Society of America|April 5, 2017
Predicting the perception of performed dynamics in music audio with ensemble learningAnders Elowsson, Anders Friberg
Emotion (Washington, D.C.)|October 13, 2022
Relations between perceived affect and liking for melodies and visual designsAna Clemente, Anders Friberg, André Holzapfel
Frontiers in Psychology|August 3, 2013
Emotional expression in music: contribution, linearity, and additivity of primary musical cuesTuomas Eerola, Anders Friberg, Roberto Bresin
Frontiers in Psychology|April 16, 2019
A Computational Model of Immanent Accent Salience in Tonal MusicErica Bisesi, Anders Friberg, Richard Parncutt
Neuroimage|December 6, 2016
Experience-dependent modulation of right anterior insula and sensorimotor regions as a function of noise-masked auditory feedback in singers and nonsingersBoris Kleber, Anders Friberg, Anthony Zeitouni, et al.
Pageof 5