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Frontiers in Psychology|June 8, 2017
Using CNN Features to Better Understand What Makes Visual Artworks SpecialAnselm Brachmann, Erhardt Barth, Christoph RediesFrontiers in Computational Neuroscience|November 30, 2017
Computational and Experimental Approaches to Visual AestheticsAnselm Brachmann, Christoph RediesFrontiers in Neuroscience|November 10, 2017
Statistical Image Properties in Large Subsets of Traditional Art, Bad Art, and Abstract ArtChristoph Redies, Anselm BrachmannVision Research|March 11, 2017
High entropy of edge orientations characterizes visual artworks from diverse cultural backgroundsChristoph Redies, Anselm Brachmann, Johan WagemansFrontiers in Psychiatry|January 10, 2018
Statistical Image Properties in Works from the Prinzhorn Collection of Artists with SchizophreniaGudrun Maria Henemann, Anselm Brachmann, Christoph RediesJournal of Experimental Psychology. Human Perception and Performance|May 13, 2021
Liking of art and the perception of colorCarolin S Altmann, Anselm Brachmann, Christoph RediesI-Perception|October 16, 2020
Aesthetic Perception of Line Patterns: Effect of Edge-Orientation Entropy and Curvilinear ShapeSarah Stanischewski, Carolin S Altmann, Anselm Brachmann, et al.Frontiers in Neuroscience|October 17, 2018
Edge-Orientation Entropy Predicts Preference for Diverse Types of Man-Made ImagesMaria Grebenkina, Anselm Brachmann, Marco Bertamini, et al.Spatial Vision|December 13, 2007
A universal model of esthetic perception based on the sensory coding of natural stimuliChristoph RediesBritish Journal of Psychology (London, England : 1953)|October 4, 2014
Beauty: neglected, but alive and kickingChristoph RediesPageof 10