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B H Repp

Showing results (11-20 of 74) with videos related to

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The Journal of the Acoustical Society of America|October 1, 1985
Editorial comment and critique of "Syllable identification by children and adults for two task conditions"B H Repp
Perception & Psychophysics|November 1, 1978
Perceptual integration and differentiation of spectral cues for intervocalic stop consonantsB H Repp
Journal of Experimental Psychology. Human Perception and Performance|June 17, 1998
Variations on a theme by chopin: relations between perception and production of timing in musicB H Repp
The Journal of the Acoustical Society of America|November 1, 1987
On the possible role of auditory short-term adaptation in perception of the prevocalic [m]-[n] contrastB H Repp
The Journal of the Acoustical Society of America|August 26, 1998
A microcosm of musical expression. I. Quantitative analysis of pianists' timing in the initial measures of Chopin's Etude in E majorB H Repp
Brain and Language|May 1, 1978
Stimulus dominance and ear dominance in the perception of dichotic voicing contrastsB H Repp
The Journal of the Acoustical Society of America|February 1, 1993
Objective performance analysis as a tool for the musical detectiveB H Repp
The Journal of the Acoustical Society of America|May 1, 1986
Some observations on the development of anticipatory coarticulationB H Repp
The Journal of the Acoustical Society of America|March 25, 1999
A microcosm of musical expression: II. Quantitative analysis of pianists' dynamics in the initial measures of Chopin's Etude in E majorB H Repp
The Journal of the Acoustical Society of America|February 1, 1975
Dichotic forward and backward "masking" between CV syllablesB H Repp
Pageof 8

Showing results (11-20 of 74) with videos related to

Sort By:
Pageof 8
The Journal of the Acoustical Society of America|October 1, 1985
Editorial comment and critique of "Syllable identification by children and adults for two task conditions"B H Repp
Perception & Psychophysics|November 1, 1978
Perceptual integration and differentiation of spectral cues for intervocalic stop consonantsB H Repp
Journal of Experimental Psychology. Human Perception and Performance|June 17, 1998
Variations on a theme by chopin: relations between perception and production of timing in musicB H Repp
The Journal of the Acoustical Society of America|November 1, 1987
On the possible role of auditory short-term adaptation in perception of the prevocalic [m]-[n] contrastB H Repp
The Journal of the Acoustical Society of America|August 26, 1998
A microcosm of musical expression. I. Quantitative analysis of pianists' timing in the initial measures of Chopin's Etude in E majorB H Repp
Brain and Language|May 1, 1978
Stimulus dominance and ear dominance in the perception of dichotic voicing contrastsB H Repp
The Journal of the Acoustical Society of America|February 1, 1993
Objective performance analysis as a tool for the musical detectiveB H Repp
The Journal of the Acoustical Society of America|May 1, 1986
Some observations on the development of anticipatory coarticulationB H Repp
The Journal of the Acoustical Society of America|March 25, 1999
A microcosm of musical expression: II. Quantitative analysis of pianists' dynamics in the initial measures of Chopin's Etude in E majorB H Repp
The Journal of the Acoustical Society of America|February 1, 1975
Dichotic forward and backward "masking" between CV syllablesB H Repp
Pageof 8