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Psychological Review|November 23, 2000
Implicit learning of tonality: a self-organizing approachB Tillmann, J J Bharucha, E BigandPerceptual and Motor Skills|May 15, 2004
Further investigation of harmonic priming in long contexts using musical timbre as surface marker to control for temporal effectsB Tillmann, E BigandJournal of Experimental Psychology. Human Perception and Performance|October 20, 2001
Global context effect in normal and scrambled musical sequencesB Tillmann, E BigandWiley Interdisciplinary Reviews. Cognitive Science|August 26, 2015
The role of expectation in music: from the score to emotions and the brainB Tillmann, B Poulin-Charronnat, E BigandThe Quarterly Journal of Experimental Psychology. A, Human Experimental Psychology|December 21, 2005
Repetition priming: Is music special?E Bigand, B Tillmann, B Poulin-Charronnat, et al.Cognition|August 30, 2001
The effect of harmonic context on phoneme monitoring in vocal musicE Bigand, B Tillmann, B Poulin, et al.Neuroimage|April 21, 2006
Cognitive priming in sung and instrumental music: activation of inferior frontal cortexB Tillmann, S Koelsch, N Escoffier, et al.Journal of Experimental Psychology. Human Perception and Performance|June 1, 1997
Perceiving musical stability: the effect of tonal structure, rhythm, and musical expertiseE BigandPsychological Research|February 1, 2000
Perceiving musical tension in long chord sequencesE Bigand, R ParncuttPageof 13