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Brain and Cognition|September 21, 2007
Cerebellar patients demonstrate preserved implicit knowledge of association strengths in musical sequencesBarbara Tillmann, Timothy Justus, Emmanuel BigandPsychonomic Bulletin & Review|June 17, 2010
Judging familiarity and emotion from very brief musical excerptsSuzanne Filipic, Barbara Tillmann, Emmanuel BigandCognitive Neuropsychology|April 18, 2008
Harmonic priming in an amusic patient: the power of implicit tasksBarbara Tillmann, Isabelle Peretz, Emmanuel Bigand, et al.Cortex; a Journal Devoted to the Study of the Nervous System and Behavior|August 25, 2014
Musical familiarity in congenital amusia: evidence from a gating paradigmBarbara Tillmann, Philippe Albouy, Anne Caclin, et al.Plos One|November 3, 2011
Categorization of extremely brief auditory stimuli: domain-specific or domain-general processes?Emmanuel Bigand, Charles Delbé, Yannick Gérard, et al.Cortex; a Journal Devoted to the Study of the Nervous System and Behavior|February 14, 2012
Priming paradigm reveals harmonic structure processing in congenital amusiaBarbara Tillmann, Nathalie Gosselin, Emmanuel Bigand, et al.Neuropsychologia|March 6, 2016
Discrimination of tonal and atonal music in congenital amusia: The advantage of implicit tasksBarbara Tillmann, Philippe Lalitte, Philippe Albouy, et al.Frontiers in Systems Neuroscience|June 18, 2014
Empirical evidence for musical syntax processing? Computer simulations reveal the contribution of auditory short-term memoryEmmanuel Bigand, Charles Delbé, Bénédicte Poulin-Charronnat, et al.Journal of Experimental Psychology. Human Perception and Performance|April 3, 2003
Sensory versus cognitive components in harmonic primingEmmanuel Bigand, Bénédicte Poulin, Barbara Tillmann, et al.Neuropsychology|July 27, 2018
Musical emotions in congenital amusia: Impaired recognition, but preserved emotional intensityYohana Lévêque, Perrine Teyssier, Patrick Bouchet, et al.Pageof 18