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Frontiers in Psychology|October 18, 2021
A Cross-Cultural Analysis of the Influence of Timbre on Affect Perception in Western Classical Music and Chinese Music TraditionsXin Wang, Yujia Wei, Lena Heng, et al.Plos One|December 5, 2014
Investigating the role of auditory and tactile modalities in violin quality evaluationIndiana Wollman, Claudia Fritz, Jacques Poitevineau, et al.The Journal of the Acoustical Society of America|March 1, 2023
Timbral cues for learning to generalize musical instrument identity across pitch registerStephen McAdams, Etienne Thoret, Grace Wang, et al.Nature Human Behaviour|December 1, 2020
Learning metrics on spectrotemporal modulations reveals the perception of musical instrument timbreEtienne Thoret, Baptiste Caramiaux, Philippe Depalle, et al.Frontiers in Psychology|January 27, 2015
Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese PygmiesHauke Egermann, Nathalie Fernando, Lorraine Chuen, et al.Neuropsychology|August 26, 2021
Processing rhythm in speech and music: Shared mechanisms and implications for developmental speech and language disordersAnna Fiveash, Nathalie Bedoin, Reyna L Gordon, et al.Journal of Experimental Child Psychology|May 21, 2018
New evidence of a rhythmic priming effect that enhances grammaticality judgments in childrenAlexander Chern, Barbara Tillmann, Chloe Vaughan, et al.Journal of Experimental Psychology. Human Perception and Performance|July 31, 2008
Tonal centers and expectancy: facilitation or inhibition of chords at the top of the harmonic hierarchy?Barbara Tillmann, Petr Janata, Jeffrey Birk, et al.Plos One|September 21, 2019
Implicit learning of artificial grammatical structures after inferior frontal cortex lesionsTatiana Jarret, Anika Stockert, Sonja A Kotz, et al.Journal of Experimental Psychology. Human Perception and Performance|May 23, 2003
The costs and benefits of tonal centers for chord processingBarbara Tillmann, Petr Janata, Jeffrey Birk, et al.Pageof 19