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Plos One|February 6, 2014
Thresholds of auditory-motor coupling measured with a simple task in musicians and non-musicians: was the sound simultaneous to the key press?Floris T van Vugt, Barbara TillmannBrain and Cognition|June 22, 2024
Lights on music cognition: A systematic and critical review of fNIRS applications and future perspectivesFederico Curzel, Barbara Tillmann, Laura FerreriJournal of Experimental Psychology. Human Perception and Performance|August 11, 2010
Priming in melody perception: tracking down the strength of cognitive expectationsFrédéric Marmel, Barbara Tillmann, Charles DelbéAttention, Perception & Psychophysics|March 12, 2021
What you hear first, is what you get: Initial metrical cue presentation modulates syllable detection in sentence processingAnna Fiveash, Simone Falk, Barbara TillmannBrain Research|February 28, 2015
Auditory feedback in error-based learning of motor regularityFloris T van Vugt, Barbara TillmannPsychological Research|August 5, 2010
Learning of timing patterns and the development of temporal expectationsBarbara Tillmann, Catherine Stevens, Peter E KellerCognitive, Affective & Behavioral Neuroscience|November 29, 2002
Listening to polyphonic music recruits domain-general attention and working memory circuitsPetr Janata, Barbara Tillmann, Jamshed J BharuchaFrontiers in Psychology|June 30, 2011
The influence of task-irrelevant music on language processing: syntactic and semantic structuresLisianne Hoch, Benedicte Poulin-Charronnat, Barbara TillmannCognitive Science|April 16, 2023
A Recurrent Connectionist Model of Melody Perception: An Exploration Using TRACX2Daniel Defays, Robert M French, Barbara TillmannAnnals of the New York Academy of Sciences|December 19, 2003
Activation of the inferior frontal cortex in musical primingBarbara Tillmann, Petr Janata, Jamshed J BharuchaPageof 24