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Carol L Krumhansl

Showing results (1-10 of 11) with videos related to

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Annals of the New York Academy of Sciences|December 19, 2003
Experimental strategies for understanding the role of experience in music cognitionCarol L Krumhansl
Annals of the New York Academy of Sciences|December 19, 2003
Roundtable I: Dissecting the perceptual components of music. IntroductionCarol L Krumhansl
Perception|August 2, 2003
Measuring and modeling real-time responses to music: the dynamics of tonality inductionPetri Toiviainen, Carol L Krumhansl
Science (New York, N.Y.)|December 14, 2002
Neuroscience. Mental models and musical mindsRobert J Zatorre, Carol L Krumhansl
Journal of Experimental Psychology. Human Perception and Performance|August 11, 2010
Compatibility of motion facilitates visuomotor synchronizationMichael J Hove, Michael J Spivey, Carol L Krumhansl
Psychonomic Bulletin & Review|June 17, 2010
Ethnicity effects in relative pitchMichael J Hove, Mary Elizabeth Sutherland, Carol L Krumhansl
Perception & Psychophysics|October 13, 2007
Sensorimotor synchronization with chords containing tone-onset asynchroniesMichael J Hove, Peter E Keller, Carol L Krumhansl
Journal of Experimental Psychology. Human Perception and Performance|October 7, 2004
The role of melodic and temporal cues in perceiving musical meterErin E Hannon, Joel S Snyder, Tuomas Eerola, et al.
Cognition|November 18, 2005
Cross-modal interactions in the perception of musical performanceBradley W Vines, Carol L Krumhansl, Marcelo M Wanderley, et al.
Annals of the New York Academy of Sciences|April 7, 2006
Dimensions of emotion in expressive musical performanceBradley W Vines, Carol L Krumhansl, Marcelo M Wanderley, et al.
Pageof 2

Showing results (1-10 of 11) with videos related to

Sort By:
Pageof 2
Annals of the New York Academy of Sciences|December 19, 2003
Experimental strategies for understanding the role of experience in music cognitionCarol L Krumhansl
Annals of the New York Academy of Sciences|December 19, 2003
Roundtable I: Dissecting the perceptual components of music. IntroductionCarol L Krumhansl
Perception|August 2, 2003
Measuring and modeling real-time responses to music: the dynamics of tonality inductionPetri Toiviainen, Carol L Krumhansl
Science (New York, N.Y.)|December 14, 2002
Neuroscience. Mental models and musical mindsRobert J Zatorre, Carol L Krumhansl
Journal of Experimental Psychology. Human Perception and Performance|August 11, 2010
Compatibility of motion facilitates visuomotor synchronizationMichael J Hove, Michael J Spivey, Carol L Krumhansl
Psychonomic Bulletin & Review|June 17, 2010
Ethnicity effects in relative pitchMichael J Hove, Mary Elizabeth Sutherland, Carol L Krumhansl
Perception & Psychophysics|October 13, 2007
Sensorimotor synchronization with chords containing tone-onset asynchroniesMichael J Hove, Peter E Keller, Carol L Krumhansl
Journal of Experimental Psychology. Human Perception and Performance|October 7, 2004
The role of melodic and temporal cues in perceiving musical meterErin E Hannon, Joel S Snyder, Tuomas Eerola, et al.
Cognition|November 18, 2005
Cross-modal interactions in the perception of musical performanceBradley W Vines, Carol L Krumhansl, Marcelo M Wanderley, et al.
Annals of the New York Academy of Sciences|April 7, 2006
Dimensions of emotion in expressive musical performanceBradley W Vines, Carol L Krumhansl, Marcelo M Wanderley, et al.
Pageof 2