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Charles Chubb

Showing results (21-30 of 49) with videos related to

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The Journal of the Acoustical Society of America|November 9, 2018
Many listeners cannot discriminate major vs minor tone-scrambles regardless of presentation rateSolena Mednicoff, Stephanie Mejia, Jordan Ali Rashid, et al.
Attention, Perception & Psychophysics|November 11, 2015
The centroid paradigm: Quantifying feature-based attention in terms of attention filtersPeng Sun, Charles Chubb, Charles E Wright, et al.
The Journal of the Acoustical Society of America|June 1, 2022
Inadequate pitch-difference sensitivity prevents half of all listeners from discriminating major vs minor tone sequencesJoselyn Ho, Daniel S Mann, Gregory Hickok, et al.
Vision Research|April 23, 2005
Stimulus contrast and the Reichardt detectorJoshua A Solomon, Charles Chubb, Adrian John, et al.
Frontiers in Psychology|June 23, 2012
Response Bias Modulates the Speech Motor System during Syllable DiscriminationJonathan Henry Venezia, Kourosh Saberi, Charles Chubb, et al.
Proceedings of the National Academy of Sciences of the United States of America|October 30, 2016
Human attention filters for single colorsPeng Sun, Charles Chubb, Charles E Wright, et al.
Proceedings of the National Academy of Sciences of the United States of America|December 15, 2018
High-capacity preconscious processing in concurrent groupings of colored dotsPeng Sun, Charles Chubb, Charles E Wright, et al.
Psychological Review|May 14, 2019
A model of the uncertainty effects in choice reaction time that includes a major contribution from effector selectionCharles E Wright, Valerie F Marino, Charles Chubb, et al.
Vision Research|July 10, 2007
The three dimensions of human visual sensitivity to first-order contrast statisticsCharles Chubb, Jong-Ho Nam, Daniel R Bindman, et al.
Journal of Speech, Language, and Hearing Research : JSLHR|May 14, 2025
Complex Pitch Perception Deficits in Dyslexia Persist Regardless of Previous Musical ExperiencesDelaney E Kelemen, Camden Burnsworth, Charles Chubb, et al.
Pageof 5

Showing results (21-30 of 49) with videos related to

Sort By:
Pageof 5
The Journal of the Acoustical Society of America|November 9, 2018
Many listeners cannot discriminate major vs minor tone-scrambles regardless of presentation rateSolena Mednicoff, Stephanie Mejia, Jordan Ali Rashid, et al.
Attention, Perception & Psychophysics|November 11, 2015
The centroid paradigm: Quantifying feature-based attention in terms of attention filtersPeng Sun, Charles Chubb, Charles E Wright, et al.
The Journal of the Acoustical Society of America|June 1, 2022
Inadequate pitch-difference sensitivity prevents half of all listeners from discriminating major vs minor tone sequencesJoselyn Ho, Daniel S Mann, Gregory Hickok, et al.
Vision Research|April 23, 2005
Stimulus contrast and the Reichardt detectorJoshua A Solomon, Charles Chubb, Adrian John, et al.
Frontiers in Psychology|June 23, 2012
Response Bias Modulates the Speech Motor System during Syllable DiscriminationJonathan Henry Venezia, Kourosh Saberi, Charles Chubb, et al.
Proceedings of the National Academy of Sciences of the United States of America|October 30, 2016
Human attention filters for single colorsPeng Sun, Charles Chubb, Charles E Wright, et al.
Proceedings of the National Academy of Sciences of the United States of America|December 15, 2018
High-capacity preconscious processing in concurrent groupings of colored dotsPeng Sun, Charles Chubb, Charles E Wright, et al.
Psychological Review|May 14, 2019
A model of the uncertainty effects in choice reaction time that includes a major contribution from effector selectionCharles E Wright, Valerie F Marino, Charles Chubb, et al.
Vision Research|July 10, 2007
The three dimensions of human visual sensitivity to first-order contrast statisticsCharles Chubb, Jong-Ho Nam, Daniel R Bindman, et al.
Journal of Speech, Language, and Hearing Research : JSLHR|May 14, 2025
Complex Pitch Perception Deficits in Dyslexia Persist Regardless of Previous Musical ExperiencesDelaney E Kelemen, Camden Burnsworth, Charles Chubb, et al.
Pageof 5