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Chemical Senses|July 17, 2018
On the Meaning(s) of Perceived Complexity in the Chemical SensesCharles Spence, Qian Janice WangPsychonomic Bulletin & Review|March 17, 2026
What role does temporal synchrony play in mid-level audiovisual crossmodal correspondences?Charles Spence, Nicola Di StefanoFrontiers in Psychology|February 25, 2026
Crossmodal counterpoint: from music to multimedia - incongruency, cognitive dissonance, irony, and surrealismCharles Spence, Nicola Di StefanoMultisensory Research|June 11, 2026
Seeing Scent in Sound: Exploratory Spontaneous Visual and Olfactory Mental Imagery Elicited by Musical ModesOriente Pimentel Aldaz, Charles SpenceCurrent Biology : CB|July 5, 2003
Multisensory integration and the body schema: close to hand and within reachAngelo Maravita, Charles Spence, Jon DriverExperimental Brain Research|March 21, 2007
Auditory motion affects visual motion perception in a speeded discrimination taskDaniel Sanabria, Juan Lupiáñez, Charles SpenceActa Psychologica|May 15, 2007
Visual processing and the bodily selfLouise Whiteley, Charles Spence, Patrick HaggardCognition|January 2, 2016
Taking someone else's spatial perspective: Natural stance or effortful decentring?Gabriel Arnold, Charles Spence, Malika AuvrayQuarterly Journal of Experimental Psychology (2006)|August 13, 2009
Assessing the effect of sound complexity on the audiotactile cross-modal dynamic capture taskValeria Occelli, Charles Spence, Massimiliano ZampiniActa Psychologica|June 3, 2017
Crossmodal attentional control sets between vision and auditionFrank Mast, Christian Frings, Charles SpencePageof 56