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Journal of Vision|October 2, 2010
Contrast sensitivity for oriented patterns in 1/f noise: contrast response and the horizontal effectAndrew M Haun, Edward A EssockPerception|February 28, 2016
Structural Content in Paintings II: Artists Commissioned to Reproduce a Specific Image Over-Regularize Orientation Biases in Their PaintingsEdward A Essock, April M SchweinhartJournal of Vision|January 27, 2005
A horizontal bias in human visual processing of orientation and its correspondence to the structural components of natural scenesBruce C Hansen, Edward A EssockPerception|March 22, 2014
Structural content in paintings: artists overregularize oriented content of paintings relative to the typical natural scene biasApril M Schweinhart, Edward A EssockVision Research|October 10, 2006
Anisotropic local contrast normalization: the role of stimulus orientation and spatial frequency bandwidths in the oblique and horizontal effect perceptual anisotropiesBruce C Hansen, Edward A EssockInvestigative Ophthalmology & Visual Science|July 27, 2005
Analysis of GDx-VCC polarimetry data by Wavelet-Fourier analysis across glaucoma stagesEdward A Essock, Yufeng Zheng, Pinakin GunvantJournal of Vision|March 10, 2017
Distribution of content in recently-viewed scenes whitens perceptionApril M Schweinhart, Patrick Shafto, Edward A EssockPerception|July 13, 2007
Illusory bands in orientation and spatial frequency: a cortical analog to Mach bandsEdward A Essock, Bruce C Hansen, Andrew M HaunVision Research|February 4, 2010
The horizontal effect in suppression: Anisotropic overlay and surround suppression at high and low speedsYeon Jin Kim, Andrew M Haun, Edward A EssockJournal of Vision|March 11, 2009
An anisotropy of orientation-tuned suppression that matches the anisotropy of typical natural scenesEdward A Essock, Andrew M Haun, Yeon Jin KimPageof 2