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Frontiers in Psychology|December 27, 2023
Probing the underlying principles of dynamics in piano performances using a modelling approachGabriel Jones, Anders FribergThe Journal of the Acoustical Society of America|June 22, 2015
Modeling the perception of tempoAnders Elowsson, Anders FribergCortex; a Journal Devoted to the Study of the Nervous System and Behavior|June 24, 2011
Emotion rendering in music: range and characteristic values of seven musical variablesRoberto Bresin, Anders FribergThe Journal of the Acoustical Society of America|October 7, 2011
Influence of pitch, loudness, and timbre on the perception of instrument dynamicsMarco Fabiani, Anders FribergPlos One|March 31, 2015
Idealized computational models for auditory receptive fieldsTony Lindeberg, Anders FribergThe Journal of the Acoustical Society of America|April 5, 2017
Predicting the perception of performed dynamics in music audio with ensemble learningAnders Elowsson, Anders FribergEmotion (Washington, D.C.)|October 13, 2022
Relations between perceived affect and liking for melodies and visual designsAna Clemente, Anders Friberg, André HolzapfelFrontiers in Psychology|August 3, 2013
Emotional expression in music: contribution, linearity, and additivity of primary musical cuesTuomas Eerola, Anders Friberg, Roberto BresinFrontiers in Psychology|April 16, 2019
A Computational Model of Immanent Accent Salience in Tonal MusicErica Bisesi, Anders Friberg, Richard ParncuttNeuroimage|December 6, 2016
Experience-dependent modulation of right anterior insula and sensorimotor regions as a function of noise-masked auditory feedback in singers and nonsingersBoris Kleber, Anders Friberg, Anthony Zeitouni, et al.Pageof 6