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The Behavioral and Brain Sciences
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April 5, 2023
Dancing robots: Social interactions are performed, not depicted
Guido Orgs, Emily S Cross
Social Cognitive and Affective Neuroscience
|
March 11, 2023
The role of objecthood and animacy in apparent movement processing
Emiel Cracco, Tilia Linthout, Guido Orgs
Consciousness and Cognition
|
April 30, 2013
Learning to like it: aesthetic perception of bodies, movements and choreographic structure
Guido Orgs, Nobuhiro Hagura, Patrick Haggard
Experimental Brain Research
|
April 17, 2013
Time perception during apparent biological motion reflects subjective speed of movement, not objective rate of visual stimulation
Guido Orgs, Louise Kirsch, Patrick Haggard
Frontiers in Psychology
|
December 15, 2023
Aesthetic preference in the production of image sequences
Ernesto Monroy, Guido Orgs, Noam Sagiv
Cognition
|
September 15, 2020
Timing is everything: Dance aesthetics depend on the complexity of movement kinematics
Andrea Orlandi, Emily S Cross, Guido Orgs
Proceedings. Biological Sciences
|
September 7, 2012
Ready steady slow: action preparation slows the subjective passage of time
Nobuhiro Hagura, Ryota Kanai, Guido Orgs, et al.
Psychological Science
|
April 29, 2011
From body form to biological motion: the apparent velocity of human movement biases subjective time
Guido Orgs, Sven Bestmann, Friederike Schuur, et al.
Brain and Cognition
|
June 24, 2006
Conceptual priming for environmental sounds and words: an ERP study
Guido Orgs, Kathrin Lange, Jan-Henryk Dombrowski, et al.
International Journal of Psychophysiology : Official Journal of the International Organization of Psychophysiology
|
April 24, 2007
Is conceptual priming for environmental sounds obligatory?
Guido Orgs, Kathrin Lange, Jan-Henryk Dombrowski, et al.
Page
of 3
Search research articles
Search
Showing results (1-10 of 29) with videos related to
Sort By:
Page
of 3
The Behavioral and Brain Sciences
|
April 5, 2023
Dancing robots: Social interactions are performed, not depicted
Guido Orgs, Emily S Cross
Social Cognitive and Affective Neuroscience
|
March 11, 2023
The role of objecthood and animacy in apparent movement processing
Emiel Cracco, Tilia Linthout, Guido Orgs
Consciousness and Cognition
|
April 30, 2013
Learning to like it: aesthetic perception of bodies, movements and choreographic structure
Guido Orgs, Nobuhiro Hagura, Patrick Haggard
Experimental Brain Research
|
April 17, 2013
Time perception during apparent biological motion reflects subjective speed of movement, not objective rate of visual stimulation
Guido Orgs, Louise Kirsch, Patrick Haggard
Frontiers in Psychology
|
December 15, 2023
Aesthetic preference in the production of image sequences
Ernesto Monroy, Guido Orgs, Noam Sagiv
Cognition
|
September 15, 2020
Timing is everything: Dance aesthetics depend on the complexity of movement kinematics
Andrea Orlandi, Emily S Cross, Guido Orgs
Proceedings. Biological Sciences
|
September 7, 2012
Ready steady slow: action preparation slows the subjective passage of time
Nobuhiro Hagura, Ryota Kanai, Guido Orgs, et al.
Psychological Science
|
April 29, 2011
From body form to biological motion: the apparent velocity of human movement biases subjective time
Guido Orgs, Sven Bestmann, Friederike Schuur, et al.
Brain and Cognition
|
June 24, 2006
Conceptual priming for environmental sounds and words: an ERP study
Guido Orgs, Kathrin Lange, Jan-Henryk Dombrowski, et al.
International Journal of Psychophysiology : Official Journal of the International Organization of Psychophysiology
|
April 24, 2007
Is conceptual priming for environmental sounds obligatory?
Guido Orgs, Kathrin Lange, Jan-Henryk Dombrowski, et al.
Page
of 3