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Imre Lahdelma

Showing results (1-10 of 8) with videos related to

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I-Perception|July 20, 2016
Mild Dissonance Preferred Over Consonance in Single Chord PerceptionImre Lahdelma, Tuomas Eerola
Psychonomic Bulletin & Review|December 18, 2021
Register impacts perceptual consonance through roughness and sharpnessTuomas Eerola, Imre Lahdelma
Scientific Reports|May 28, 2020
Cultural familiarity and musical expertise impact the pleasantness of consonance/dissonance but not its perceived tensionImre Lahdelma, Tuomas Eerola
Annals of the New York Academy of Sciences|July 9, 2021
Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listenersImre Lahdelma, George Athanasopoulos, Tuomas Eerola
The Journal of the Acoustical Society of America|August 3, 2021
Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listenersJames Armitage, Imre Lahdelma, Tuomas Eerola
Plos One|December 5, 2023
Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervalsJames Armitage, Imre Lahdelma, Tuomas Eerola, et al.
Plos One|January 13, 2021
Harmonic organisation conveys both universal and culture-specific cues for emotional expression in musicGeorge Athanasopoulos, Tuomas Eerola, Imre Lahdelma, et al.
Plos One|February 10, 2022
Correction: Harmonic organisation conveys both universal and culture-specific cues for emotional expression in musicGeorge Athanasopoulos, Tuomas Eerola, Imre Lahdelma, et al.
Pageof 1

Showing results (1-10 of 8) with videos related to

Sort By:
Pageof 1
I-Perception|July 20, 2016
Mild Dissonance Preferred Over Consonance in Single Chord PerceptionImre Lahdelma, Tuomas Eerola
Psychonomic Bulletin & Review|December 18, 2021
Register impacts perceptual consonance through roughness and sharpnessTuomas Eerola, Imre Lahdelma
Scientific Reports|May 28, 2020
Cultural familiarity and musical expertise impact the pleasantness of consonance/dissonance but not its perceived tensionImre Lahdelma, Tuomas Eerola
Annals of the New York Academy of Sciences|July 9, 2021
Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listenersImre Lahdelma, George Athanasopoulos, Tuomas Eerola
The Journal of the Acoustical Society of America|August 3, 2021
Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listenersJames Armitage, Imre Lahdelma, Tuomas Eerola
Plos One|December 5, 2023
Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervalsJames Armitage, Imre Lahdelma, Tuomas Eerola, et al.
Plos One|January 13, 2021
Harmonic organisation conveys both universal and culture-specific cues for emotional expression in musicGeorge Athanasopoulos, Tuomas Eerola, Imre Lahdelma, et al.
Plos One|February 10, 2022
Correction: Harmonic organisation conveys both universal and culture-specific cues for emotional expression in musicGeorge Athanasopoulos, Tuomas Eerola, Imre Lahdelma, et al.
Pageof 1