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Cultural and Social History : the Journal of the Social History Society|September 17, 2020
Celts under the Knife: Surgical Fortitude, Racial Theory and the British Army, 1800-1914James KennawayLiterature and Medicine|June 2, 2017
Two Kinds of "Literary Poison": Diseases of the Learned and Overstimulating Novels in Georgian BritainJames KennawayGesnerus|February 7, 2012
The piano plague: the nineteenth-century medical critique of female musical educationJames KennawayConfigurations|March 4, 2014
Stimulating Music: The Pleasures and Dangers of "Electric Music," 1750-1900James KennawayJournal of the History of Medicine and Allied Sciences|March 12, 2010
From sensibility to pathology: the origins of the idea of nervous music around 1800James KennawayProgress in Brain Research|February 17, 2015
Historical perspectives on music as a cause of diseaseJames KennawayWar & Society|May 15, 2020
Military surgery as national romance: the memory of British heroic fortitude at WaterlooJames KennawayLiterature and Medicine|December 26, 2017
Experiencing, Exploiting, and Evacuating Bile: Framing Fashionable Biliousness from the Sufferer's PerspectiveJonathan Andrews, James KennawayPageof 1