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Frontiers in Psychology|April 26, 2021
The Experiences of Mid-career and Seasoned Orchestral Musicians in the UK During the First COVID-19 LockdownSusanna Cohen, Jane GinsborgFrontiers in Psychology|January 11, 2021
Physical Activity, Sedentary Behavior, Anxiety, and Pain Among Musicians in the United KingdomRaluca Matei, Jane GinsborgBjpsych International|November 3, 2017
Music performance anxiety in classical musicians - what we know about what worksRaluca Matei, Jane GinsborgFrontiers in Psychology|September 25, 2014
Making myself understood: perceived factors affecting the intelligibility of sung textPhilip A Fine, Jane GinsborgFrontiers in Psychology|June 17, 2022
One Year on: The Impact of COVID-19 on the Lives of Freelance Orchestral Musicians in the United KingdomSusanna Cohen, Jane GinsborgFrontiers in Psychology|April 8, 2021
Developing Familiarity in a New Duo: Rehearsal Talk and Performance CuesJane Ginsborg, Dawn BennettHealth Promotion International|September 25, 2021
Health education for musicians in the UK: a qualitative evaluationRaluca Matei, Jane GinsborgInternational Journal of Language & Communication Disorders|February 21, 2002
Development and disadvantage: implications for the early years and beyondAnn Locke, Jane Ginsborg, Ian PeersFrontiers in Psychology|August 1, 2018
Health Education for MusiciansRaluca Matei, Stephen Broad, Juliet Goldbart, et al.Plos One|May 19, 2016
Vibrotactile Presentation of Musical Notes to the Glabrous Skin for Adults with Normal Hearing or a Hearing Impairment: Thresholds, Dynamic Range and High-Frequency PerceptionCarl Hopkins, Saúl Maté-Cid, Robert Fulford, et al.Pageof 2