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The Journal of the Acoustical Society of America|March 3, 2018
Timbral Shepard-illusion reveals ambiguity and context sensitivity of brightness perceptionKai SiedenburgThe Journal of the Acoustical Society of America|March 3, 2019
Specifying the perceptual relevance of onset transients for musical instrument identificationKai SiedenburgMemory (Hove, England)|June 18, 2016
The role of long-term familiarity and attentional maintenance in short-term memory for timbreKai Siedenburg, Stephen McAdamsFrontiers in Psychology|May 12, 2017
Modeling Timbre Similarity of Short Music ClipsKai Siedenburg, Daniel MüllensiefenThe Journal of the Acoustical Society of America|November 3, 2020
Brightness perception for musical instrument sounds: Relation to timbre dissimilarity and source-cause categoriesCharalampos Saitis, Kai SiedenburgJASA Express Letters|April 25, 2023
Lead-vocal level in recordings of popular music 1946-2020Karsten Gerdes, Kai SiedenburgThe Journal of the Acoustical Society of America|August 12, 2024
Impact of interference on vocal and instrument recognitionMichel Bürgel, Kai SiedenburgJASA Express Letters|November 11, 2024
Evaluating audio quality ratings and scene analysis performance of hearing-impaired listeners for multi-track musicAravindan Joseph Benjamin, Kai SiedenburgThe Journal of the Acoustical Society of America|August 22, 2023
Exploring level- and spectrum-based music mixing transforms for hearing-impaired listenersAravindan Joseph Benjamin, Kai SiedenburgPlos One|January 10, 2025
Effects of spectral manipulations of music mixes on musical scene analysis abilities of hearing-impaired listenersAravindan Joseph Benjamin, Kai SiedenburgPageof 3