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European Child & Adolescent Psychiatry|August 16, 2019
Identifying child temperament risk factors from 2 to 8 years of age: validation of a brief temperament screening tool in the US, Europe, and ChinaMarcel ZentnerThe Behavioral and Brain Sciences|September 30, 2021
Social bonding and credible signaling hypotheses largely disregard the gap between animal vocalizations and human musicMarcel ZentnerEuropean Child & Adolescent Psychiatry|September 23, 2019
Correction to: Identifying child temperament risk factors from 2 to 8 years of age: validation of a brief temperament screening tool in the US, Europe, and ChinaMarcel ZentnerFrontiers in Psychology|May 2, 2022
The CODA Model: A Review and Skeptical Extension of the Constructionist Model of Emotional Episodes Induced by MusicThomas M Lennie, Tuomas EerolaFrontiers in Psychology|April 6, 2017
The Pleasure Evoked by Sad Music Is Mediated by Feelings of Being MovedJonna K Vuoskoski, Tuomas EerolaFrontiers in Psychology|March 16, 2018
Music Communicates Affects, Not Basic Emotions - A Constructionist Account of Attribution of Emotional Meanings to MusicJulian Cespedes-Guevara, Tuomas EerolaThe Behavioral and Brain Sciences|January 19, 2018
Explaining the enjoyment of negative emotions evoked by the arts: The need to consider empathy and other underlying mechanisms of emotion inductionJonna K Vuoskoski, Tuomas EerolaCortex; a Journal Devoted to the Study of the Nervous System and Behavior|May 27, 2011
The role of mood and personality in the perception of emotions represented by musicJonna K Vuoskoski, Tuomas EerolaPlos One|June 15, 2016
Memorable Experiences with Sad Music-Reasons, Reactions and Mechanisms of Three Types of ExperiencesTuomas Eerola, Henna-Riikka PeltolaPlos One|December 30, 2022
Emotional expression through musical cues: A comparison of production and perception approachesAnnaliese Micallef Grimaud, Tuomas EerolaPageof 8