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Annals of the New York Academy of Sciences|July 9, 2021
Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listenersImre Lahdelma, George Athanasopoulos, Tuomas EerolaBrain and Cognition|March 14, 2016
Music-induced changes in functional cerebral asymmetriesMarkus Hausmann, Sophie Hodgetts, Tuomas EerolaFrontiers in Psychology|August 3, 2013
Emotional expression in music: contribution, linearity, and additivity of primary musical cuesTuomas Eerola, Anders Friberg, Roberto BresinFrontiers in Psychology|May 12, 2025
Actions and feelings in sync: exploring the relationship between synchrony and empathy in children's dyadic musical interactionsPersefoni Tzanaki, Tuomas Eerola, Renee TimmersSocial Cognitive and Affective Neuroscience|May 2, 2017
Music-induced positive mood broadens the scope of auditory attentionVesa Putkinen, Tommi Makkonen, Tuomas EerolaJournal of Affective Disorders|November 13, 2010
Biased emotional recognition in depression: perception of emotions in music by depressed patientsMarko Punkanen, Tuomas Eerola, Jaakko ErkkiläFrontiers in Psychology|April 20, 2017
Group Rumination: Social Interactions Around Music in People with DepressionSandra Garrido, Tuomas Eerola, Katrina McFerranThe Journal of the Acoustical Society of America|August 3, 2021
Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listenersJames Armitage, Imre Lahdelma, Tuomas EerolaAnnals of the New York Academy of Sciences|July 14, 2017
Assessing musical ability quickly and objectively: development and validation of the Short-PROMS and the Mini-PROMSMarcel Zentner, Hannah StraussPsychological Science|August 31, 2012
Stepping out of the caveman's shadow: nations' gender gap predicts degree of sex differentiation in mate preferencesMarcel Zentner, Klaudia MituraPageof 8