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Plos One|January 4, 2013
Assessing musical abilities objectively: construction and validation of the profile of music perception skillsLily N C Law, Marcel ZentnerPlos One|February 24, 2023
Associations between early childhood poverty and cognitive functioning throughout childhood and adolescence: A 14-year prospective longitudinal analysis of the Mauritius Child Health ProjectHannah Strauß, Peter Venables, Marcel ZentnerPlos One|January 13, 2021
Harmonic organisation conveys both universal and culture-specific cues for emotional expression in musicGeorge Athanasopoulos, Tuomas Eerola, Imre Lahdelma, et al.The British Journal of Developmental Psychology|September 5, 2014
Effects of measurement aggregation on predicting externalizing problems from preschool behaviourMarcel Zentner, Milana Smolkina, Peter VenablesIEEE Transactions on Image Processing : a Publication of the IEEE Signal Processing Society|October 30, 2015
Segmentation of Overlapping Elliptical Objects in Silhouette ImagesSahar Zafari, Tuomas Eerola, Jouni Sampo, et al.Quarterly Journal of Experimental Psychology (2006)|March 18, 2017
Incremental comprehension of pitch relationships in written music: Evidence from eye movementsLauren V Hadley, Patrick Sturt, Tuomas Eerola, et al.Emotion (Washington, D.C.)|August 30, 2008
Emotions evoked by the sound of music: characterization, classification, and measurementMarcel Zentner, Didier Grandjean, Klaus R SchererEmotion (Washington, D.C.)|February 13, 2013
Universal and culture-specific factors in the recognition and performance of musical affect expressionsPetri Laukka, Tuomas Eerola, Nutankumar S Thingujam, et al.Royal Society Open Science|March 9, 2018
Shared periodic performer movements coordinate interactions in duo improvisationsTuomas Eerola, Kelly Jakubowski, Nikki Moran, et al.Journal of Experimental Psychology. Human Perception and Performance|October 7, 2004
The role of melodic and temporal cues in perceiving musical meterErin E Hannon, Joel S Snyder, Tuomas Eerola, et al.Pageof 8