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Marcelo M Wanderley

Showing results (11-20 of 21) with videos related to

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Frontiers in Psychology|January 24, 2014
Action-based effects on music perceptionPieter-Jan Maes, Marc Leman, Caroline Palmer, et al.
Frontiers in Psychology|April 29, 2021
Connecting Free Improvisation Performance and Drumming Gestures Through Digital WearablesAmandine Pras, Mailis G Rodrigues, Victoria Grupp, et al.
Frontiers in Psychology|March 7, 2017
The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music PerformanceAlexander P Demos, Daniel J Carter, Marcelo M Wanderley, et al.
Frontiers in Psychology|October 2, 2023
Sticking choices in timpani sight-reading performanceBenjamin Bacon, Stuart Jackson, Ian Marci, et al.
Quarterly Journal of Experimental Psychology (2006)|November 27, 2014
Common cues to emotion in the dynamic facial expressions of speech and songSteven R Livingstone, William F Thompson, Marcelo M Wanderley, et al.
Cognitive Science|February 3, 2025
Virtual Partners Improve Synchronization in Human-Machine TriosBavo Van Kerrebroeck, Marcelo M Wanderley, Alexander P Demos, et al.
The Journal of the Acoustical Society of America|August 19, 2024
Using soundscape simulation to evaluate compositions for a public space sound installationa)Valérian Fraisse, Nadine Schütz, Marcelo M Wanderley, et al.
Cognition|November 18, 2005
Cross-modal interactions in the perception of musical performanceBradley W Vines, Carol L Krumhansl, Marcelo M Wanderley, et al.
Sensors (Basel, Switzerland)|October 14, 2020
Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming GesturesSérgio Freire, Geise Santos, Augusto Armondes, et al.
Cognition|December 15, 2010
Music to my eyes: cross-modal interactions in the perception of emotions in musical performanceBradley W Vines, Carol L Krumhansl, Marcelo M Wanderley, et al.
Pageof 3

Showing results (11-20 of 21) with videos related to

Sort By:
Pageof 3
Frontiers in Psychology|January 24, 2014
Action-based effects on music perceptionPieter-Jan Maes, Marc Leman, Caroline Palmer, et al.
Frontiers in Psychology|April 29, 2021
Connecting Free Improvisation Performance and Drumming Gestures Through Digital WearablesAmandine Pras, Mailis G Rodrigues, Victoria Grupp, et al.
Frontiers in Psychology|March 7, 2017
The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music PerformanceAlexander P Demos, Daniel J Carter, Marcelo M Wanderley, et al.
Frontiers in Psychology|October 2, 2023
Sticking choices in timpani sight-reading performanceBenjamin Bacon, Stuart Jackson, Ian Marci, et al.
Quarterly Journal of Experimental Psychology (2006)|November 27, 2014
Common cues to emotion in the dynamic facial expressions of speech and songSteven R Livingstone, William F Thompson, Marcelo M Wanderley, et al.
Cognitive Science|February 3, 2025
Virtual Partners Improve Synchronization in Human-Machine TriosBavo Van Kerrebroeck, Marcelo M Wanderley, Alexander P Demos, et al.
The Journal of the Acoustical Society of America|August 19, 2024
Using soundscape simulation to evaluate compositions for a public space sound installationa)Valérian Fraisse, Nadine Schütz, Marcelo M Wanderley, et al.
Cognition|November 18, 2005
Cross-modal interactions in the perception of musical performanceBradley W Vines, Carol L Krumhansl, Marcelo M Wanderley, et al.
Sensors (Basel, Switzerland)|October 14, 2020
Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming GesturesSérgio Freire, Geise Santos, Augusto Armondes, et al.
Cognition|December 15, 2010
Music to my eyes: cross-modal interactions in the perception of emotions in musical performanceBradley W Vines, Carol L Krumhansl, Marcelo M Wanderley, et al.
Pageof 3