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Perception & Psychophysics|December 17, 2003
Time course of melody recognition: a gating paradigm studySimone Dalla Bella, Isabelle Peretz, Neil AronoffAmerican Journal of Human Genetics|August 19, 2007
The genetics of congenital amusia (tone deafness): a family-aggregation studyIsabelle Peretz, Stéphanie Cummings, Marie-Pierre DubéBrain Research|February 27, 2008
Auditory recognition expertise and domain specificityJean-Pierre Chartrand, Isabelle Peretz, Pascal BelinPlos One|July 30, 2016
Keeping the Beat: A Large Sample Study of Bouncing and Clapping to MusicPauline Tranchant, Dominique T Vuvan, Isabelle PeretzJournal of Psycholinguistic Research|January 20, 2009
The sound of mute vowels in auditory word-stem completionRenée Béland, Jean-François Prunet, Isabelle PeretzAnnals of the New York Academy of Sciences|December 19, 2003
Varieties of musical disorders. The Montreal Battery of Evaluation of AmusiaIsabelle Peretz, Annie Sophie Champod, Krista HydeMemory (Hove, England)|February 20, 2013
The effects of emotion on memory for music and vocalisationsWilliam Aubé, Isabelle Peretz, Jorge L ArmonyAttention, Perception & Psychophysics|July 26, 2014
Singing ability is rooted in vocal-motor control of pitchSean Hutchins, Pauline Larrouy-Maestri, Isabelle PeretzBrain Sciences|July 7, 2019
Poor Synchronization to Musical Beat Generalizes to SpeechMarie-Élaine Lagrois, Caroline Palmer, Isabelle PeretzProceedings of the National Academy of Sciences of the United States of America|November 15, 2012
The basis of musical consonance as revealed by congenital amusiaMarion Cousineau, Josh H McDermott, Isabelle PeretzPageof 24