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The Journal of the Acoustical Society of America|December 17, 2009
What makes a melody: The perceptual singularity of pitch sequencesMarion Cousineau, Laurent Demany, Daniel PressnitzerThe Journal of the Acoustical Society of America|November 30, 2010
The role of peripheral resolvability in pitch-sequence processingMarion Cousineau, Laurent Demany, Daniel PressnitzerFrontiers in Systems Neuroscience|January 31, 2014
What is a melody? On the relationship between pitch and brightness of timbreMarion Cousineau, Samuele Carcagno, Laurent Demany, et al.Hearing Research|August 3, 2010
What breaks a melody: perceiving F0 and intensity sequences with a cochlear implantMarion Cousineau, Laurent Demany, Bernard Meyer, et al.The Journal of the Acoustical Society of America|July 2, 2018
Effect of stimulus type and pitch salience on pitch-sequence processingSamuele Carcagno, Christophe Micheyl, Marion Cousineau, et al.Current Biology : CB|October 9, 2019
Auditory Perception: Relative Universals for Musical PitchDaniel Pressnitzer, Laurent DemanyThe Journal of the Acoustical Society of America|September 11, 2009
Tuning properties of the auditory frequency-shift detectorsLaurent Demany, Daniel Pressnitzer, Catherine SemalCurrent Biology : CB|March 13, 2025
Simple frequency ratios naturally make precisely perceived melodiesLaurent Demany, Catherine Semal, Daniel PressnitzerJASA Express Letters|June 28, 2023
Controlling audibility with noise for online experiments using soundRodrigue Bravard, Laurent Demany, Daniel PressnitzerJournal of Experimental Psychology. Human Perception and Performance|September 22, 2010
Implicit versus explicit frequency comparisons: two mechanisms of auditory change detectionLaurent Demany, Catherine Semal, Daniel PressnitzerPageof 10