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Michael Schutz

Showing results (1-10 of 28) with videos related to

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Frontiers in Psychology|December 19, 2017
Acoustic Constraints and Musical Consequences: Exploring Composers' Use of Cues for Musical EmotionMichael Schutz
Perception|August 28, 2007
Hearing gestures, seeing music: vision influences perceived tone durationMichael Schutz, Scott Lipscomb
Scientific Reports|June 14, 2020
On the generalization of tones: A detailed exploration of non-speech auditory perception stimuliMichael Schutz, Jessica Gillard
Journal of Experimental Psychology. Human Perception and Performance|December 9, 2009
Causality and cross-modal integrationMichael Schutz, Michael Kubovy
Neurocase|November 22, 2016
Composing alarms: considering the musical aspects of auditory alarm designJessica Gillard, Michael Schutz
Psychological Research|January 29, 2021
Emotion and expertise: how listeners with formal music training use cues to perceive emotionAimee Battcock, Michael Schutz
Psychonomic Bulletin & Review|May 15, 2013
"Moving to the beat" improves timing perceptionFiona Manning, Michael Schutz
Attention, Perception & Psychophysics|April 17, 2016
The unity assumption facilitates cross-modal binding of musical, non-speech stimuli: The role of spectral and amplitude envelope cuesLorraine Chuen, Michael Schutz
Frontiers in Psychology|November 19, 2015
Cueing musical emotions: An empirical analysis of 24-piece sets by Bach and Chopin documents parallels with emotional speechMatthew Poon, Michael Schutz
Psychological Research|June 13, 2015
Trained to keep a beat: movement-related enhancements to timing perception in percussionists and non-percussionistsFiona C Manning, Michael Schutz
Pageof 3

Showing results (1-10 of 28) with videos related to

Sort By:
Pageof 3
Frontiers in Psychology|December 19, 2017
Acoustic Constraints and Musical Consequences: Exploring Composers' Use of Cues for Musical EmotionMichael Schutz
Perception|August 28, 2007
Hearing gestures, seeing music: vision influences perceived tone durationMichael Schutz, Scott Lipscomb
Scientific Reports|June 14, 2020
On the generalization of tones: A detailed exploration of non-speech auditory perception stimuliMichael Schutz, Jessica Gillard
Journal of Experimental Psychology. Human Perception and Performance|December 9, 2009
Causality and cross-modal integrationMichael Schutz, Michael Kubovy
Neurocase|November 22, 2016
Composing alarms: considering the musical aspects of auditory alarm designJessica Gillard, Michael Schutz
Psychological Research|January 29, 2021
Emotion and expertise: how listeners with formal music training use cues to perceive emotionAimee Battcock, Michael Schutz
Psychonomic Bulletin & Review|May 15, 2013
"Moving to the beat" improves timing perceptionFiona Manning, Michael Schutz
Attention, Perception & Psychophysics|April 17, 2016
The unity assumption facilitates cross-modal binding of musical, non-speech stimuli: The role of spectral and amplitude envelope cuesLorraine Chuen, Michael Schutz
Frontiers in Psychology|November 19, 2015
Cueing musical emotions: An empirical analysis of 24-piece sets by Bach and Chopin documents parallels with emotional speechMatthew Poon, Michael Schutz
Psychological Research|June 13, 2015
Trained to keep a beat: movement-related enhancements to timing perception in percussionists and non-percussionistsFiona C Manning, Michael Schutz
Pageof 3