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Ophthalmic & Physiological Optics : the Journal of the British College of Ophthalmic Opticians (Optometrists)|October 2, 2010
Basic colour names for 2D samples: effects of presentation media and illuminantsMonika Hedrich, Marina BlojJournal of Vision|September 18, 2009
Color constancy improves for real 3D objectsMonika Hedrich, Marina Bloj, Alexa I RuppertsbergJournal of Vision|May 14, 2010
Real and predicted influence of image manipulations on eye movements during scene recognitionGlen Harding, Marina BlojJournal of the Optical Society of America. A, Optics, Image Science, and Vision|April 12, 2006
Rendering complex scenes for psychophysics using RADIANCE: how accurate can you get?Alexa I Ruppertsberg, Marina BlojBehavior Research Methods|April 17, 2008
Creating physically accurate visual stimuli for free: spectral rendering with RADIANCEAlexa I Ruppertsberg, Marina BlojJournal of Vision|November 14, 2007
Reflecting on a room of one reflectanceAlexa I Ruppertsberg, Marina BlojPlos One|May 5, 2012
Learning to use illumination gradients as an unambiguous cue to three dimensional shapeGlen Harding, Julie M Harris, Marina BlojJournal of Vision|April 20, 2013
Interactions between luminance and color signals: effects on shapeStéphane Clery, Marina Bloj, Julie M HarrisJournal of Vision|February 27, 2024
Color constancy in real-world settingsKarl R Gegenfurtner, David Weiss, Marina BlojJournal of Vision|October 4, 2008
Sensitivity to luminance and chromaticity gradients in a complex sceneAlexa I Ruppertsberg, Marina Bloj, Anya HurlbertPageof 3