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Logopedics, Phoniatrics, Vocology|March 15, 2006
Mirroring the voice from Garcia to the present day: some insights into singing voice registersNathalie HenrichThe Journal of the Acoustical Society of America|August 6, 2020
Changes in the voice production of solo singers across concert hallsPaul Luizard, Nathalie Henrich BernardoniJournal of Speech, Language, and Hearing Research : JSLHR|December 17, 2009
Influence of sound immersion and communicative interaction on the Lombard effectMaëva Garnier, Nathalie Henrich, Danièle DuboisJournal of Voice : Official Journal of the Voice Foundation|June 10, 2008
Laryngeal vibratory mechanisms: the notion of vocal register revisitedBernard Roubeau, Nathalie Henrich, Michèle CastellengoThe Journal of the Acoustical Society of America|March 3, 2011
Vocal tract resonances in singing: Strategies used by sopranos, altos, tenors, and baritonesNathalie Henrich, John Smith, Joe WolfeThe Journal of the Acoustical Society of America|December 2, 2010
Vocal fold and ventricular fold vibration in period-doubling phonation: physiological description and aerodynamic modelingLucie Bailly, Nathalie Henrich, Xavier PelorsonThe Journal of the Acoustical Society of America|January 21, 2014
Vocal tract resonances in singing: variation with laryngeal mechanism for male operatic singers in chest and falsetto registersNathalie Henrich Bernardoni, John Smith, Joe WolfeThe Journal of the Acoustical Society of America|June 17, 2010
Vocal tract adjustments in the high soprano rangeMaëva Garnier, Nathalie Henrich, John Smith, et al.The Journal of the Acoustical Society of America|April 6, 2005
Glottal open quotient in singing: measurements and correlation with laryngeal mechanisms, vocal intensity, and fundamental frequencyNathalie Henrich, Christophe D'Alessandro, Boris Doval, et al.Logopedics, Phoniatrics, Vocology|November 9, 2007
Resonance strategies used in Bulgarian women's singing style: a pilot studyNathalie Henrich, Mara Kiek, John Smith, et al.Pageof 3