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Pauline Larrouy-Maestri

Showing results (1-10 of 27) with videos related to

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Logopedics, Phoniatrics, Vocology|June 23, 2012
Criteria and tools for objectively analysing the vocal accuracy of a popular songPauline Larrouy-Maestri, Dominique Morsomme
Frontiers in Psychology|November 29, 2023
Classical singers are also proficient in non-classical singingCamila Bruder, Pauline Larrouy-Maestri
Frontiers in Psychology|July 27, 2017
Vocal Features of Song and Speech: Insights from Schoenberg's Pierrot LunaireJulia Merrill, Pauline Larrouy-Maestri
Behavior Research Methods|April 11, 2025
CoVox: A dataset of contrasting vocalizationsCamila Bruder, Pauline Larrouy-Maestri
Journal of Voice : Official Journal of the Voice Foundation|October 8, 2013
The effects of stress on singing voice accuracyPauline Larrouy-Maestri, Dominique Morsomme
Nature Human Behaviour|January 16, 2023
Modelling individual and cross-cultural variation in the mapping of emotions to speech prosodyPol van Rijn, Pauline Larrouy-Maestri
Frontiers in Human Neuroscience|June 2, 2015
On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation?Peter Q Pfordresher, Pauline Larrouy-Maestri
Journal of Experimental Psychology. Human Perception and Performance|July 6, 2018
Pitch perception in music: Do scoops matter?Pauline Larrouy-Maestri, Peter Q Pfordresher
Journal of Voice : Official Journal of the Voice Foundation|February 6, 2014
Effects of melody and technique on acoustical and musical features of western operatic singing voicesPauline Larrouy-Maestri, David Magis, Dominique Morsomme
Logopedics, Phoniatrics, Vocology|April 11, 2013
The effect of melody and technique on the singing voice accuracy of trained singersPauline Larrouy-Maestri, David Magis, Dominique Morsomme
Pageof 3

Showing results (1-10 of 27) with videos related to

Sort By:
Pageof 3
Logopedics, Phoniatrics, Vocology|June 23, 2012
Criteria and tools for objectively analysing the vocal accuracy of a popular songPauline Larrouy-Maestri, Dominique Morsomme
Frontiers in Psychology|November 29, 2023
Classical singers are also proficient in non-classical singingCamila Bruder, Pauline Larrouy-Maestri
Frontiers in Psychology|July 27, 2017
Vocal Features of Song and Speech: Insights from Schoenberg's Pierrot LunaireJulia Merrill, Pauline Larrouy-Maestri
Behavior Research Methods|April 11, 2025
CoVox: A dataset of contrasting vocalizationsCamila Bruder, Pauline Larrouy-Maestri
Journal of Voice : Official Journal of the Voice Foundation|October 8, 2013
The effects of stress on singing voice accuracyPauline Larrouy-Maestri, Dominique Morsomme
Nature Human Behaviour|January 16, 2023
Modelling individual and cross-cultural variation in the mapping of emotions to speech prosodyPol van Rijn, Pauline Larrouy-Maestri
Frontiers in Human Neuroscience|June 2, 2015
On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation?Peter Q Pfordresher, Pauline Larrouy-Maestri
Journal of Experimental Psychology. Human Perception and Performance|July 6, 2018
Pitch perception in music: Do scoops matter?Pauline Larrouy-Maestri, Peter Q Pfordresher
Journal of Voice : Official Journal of the Voice Foundation|February 6, 2014
Effects of melody and technique on acoustical and musical features of western operatic singing voicesPauline Larrouy-Maestri, David Magis, Dominique Morsomme
Logopedics, Phoniatrics, Vocology|April 11, 2013
The effect of melody and technique on the singing voice accuracy of trained singersPauline Larrouy-Maestri, David Magis, Dominique Morsomme
Pageof 3