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Frontiers in Neuroscience|April 21, 2017
Global Sensory Qualities and Aesthetic Experience in MusicPauli Brattico, Elvira Brattico, Peter VuustBrain Sciences|December 24, 2021
Neural Correlates of Music Listening: Does the Music Matter?Mark Reybrouck, Peter Vuust, Elvira BratticoBrain Sciences|June 14, 2018
Brain Connectivity Networks and the Aesthetic Experience of MusicMark Reybrouck, Peter Vuust, Elvira BratticoAnnals of the New York Academy of Sciences|November 20, 2023
Psychedelia: The interplay of music and psychedelicsKatarina Jerotic, Peter Vuust, Morten L KringelbachRoyal Society Open Science|November 22, 2021
Diurnal fluctuations in musical preferenceOle Adrian Heggli, Jan Stupacher, Peter VuustPerception|November 13, 2015
Perception of Animacy from the Motion of a Single Sound ObjectRasmus Høll Nielsen, Peter Vuust, Mikkel WallentinThe Journal of the Acoustical Society of America|May 4, 2019
Increased levels of bass in popular music recordings 1955-2016 and their relation to loudnessMichael J Hove, Peter Vuust, Jan StupacherScientific Reports|May 16, 2022
Coordination of voice, hands and feet in rhythm and beat performanceSigne Hagner Mårup, Cecilie Møller, Peter VuustPlos One|October 13, 2016
"If You Have to Ask, You'll Never Know": Effects of Specialised Stylistic Expertise on Predictive Processing of MusicNiels Chr Hansen, Peter Vuust, Marcus PearceAnnals of the New York Academy of Sciences|December 9, 2025
An Active Inference Model of Meter Perception and the Urge to Move to MusicTomas E Matthews, Peter Vuust, Jonathan CannonPageof 19