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The Journal of the Acoustical Society of America|May 3, 2007
Some roles of the vocal tract in clarinet breath attacks: natural sounds analysis and model-based synthesisPhilippe GuillemainThe Journal of the Acoustical Society of America|August 27, 2005
Real-time synthesis of clarinet-like instruments using digital impedance modelsPhilippe Guillemain, Jean Kergomard, Thierry VoinierThe Journal of the Acoustical Society of America|July 1, 2022
The dual influence of the reed resonance frequency and tonehole lattice cutoff frequency on sound production and radiation of a clarinet-like instrumentErik Alan Petersen, Philippe Guillemain, Michaël JousserandThe Journal of the Acoustical Society of America|December 2, 2020
Woodwind instrument design optimization based on impedance characteristics with geometric constraintsAugustin Ernoult, Christophe Vergez, Samy Missoum, et al.The Journal of the Acoustical Society of America|December 3, 2015
Predicting playing frequencies for clarinets: A comparison between numerical simulations and simplified analytical formulasWhitney L Coyle, Philippe Guillemain, Jean Kergomard, et al.The Journal of the Acoustical Society of America|May 4, 2020
Multiple two-step oscillation regimes produced by the alto saxophoneTom Colinot, Philippe Guillemain, Christophe Vergez, et al.Pageof 1