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Scientific Reports|January 28, 2025
A cross sectional investigation of the development of rhythmic preferences with motor and perceptual testsPier-Alexandre Rioux, Simon Grondin
Frontiers in Psychology|November 16, 2020
Pandemic, Quarantine, and Psychological TimeSimon Grondin, Esteban Mendoza-Duran, Pier-Alexandre Rioux
Scientific Reports|August 21, 2024
Analyses of the impact of laterality on performances in the National Hockey League based on players' position and originSimon Grondin, Pier-Alexandre Rioux, Daniel Fortin-Guichard
Canadian Journal of Experimental Psychology = Revue Canadienne De Psychologie Experimentale|October 6, 2022
Investigation of the psychological length of a 1-s interval with a time production taskPier-Alexandre Rioux, Catherine Lebrun, Antoine Demers, et al.
Journal of Experimental Child Psychology|February 17, 2026
Ontogeny of rhythmic performances and contribution of motor and perceptual rhythmic preferencesPier-Alexandre Rioux, Daniel Fortin-Guichard, Émilie Cloutier-Debaque, et al.
Attention, Perception & Psychophysics|October 18, 2024
Influence of musical training on temporal productions when using fast and slow counting pacesSimon Grondin, Antoine Demers, Pier-Alexandre Rioux, et al.
Attention, Perception & Psychophysics|March 22, 2025
Discrimination of time intervals in musicians and non-musicians: A multimodal approachPier-Alexandre Rioux, William-Girard Journault, Christophe Grenier, et al.
Plos One|November 13, 2024
Correction: Time perspective predicts levels of anxiety and depression during the COVID-19 outbreak: A cross-cultural studyLuigi Micillo, Pier-Alexandre Rioux, Esteban Mendoza, et al.
Plos One|September 29, 2022
Time perspective predicts levels of anxiety and depression during the COVID-19 outbreak: A cross-cultural studyLuigi Micillo, Pier-Alexandre Rioux, Esteban Mendoza, et al.
Nature Human Behaviour|August 15, 2022
The Blursday database as a resource to study subjective temporalities during COVID-19Maximilien Chaumon, Pier-Alexandre Rioux, Sophie K Herbst, et al.
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