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Journal of Cognitive Neuroscience|March 31, 2016
Sensory, Cognitive, and Sensorimotor Learning Effects in Recognition Memory for MusicBrian Mathias, Barbara Tillmann, Caroline PalmerJournal of Experimental Child Psychology|November 19, 2024
Examining methodological influences on the rhythmic priming effect: A commentary on Kim, McLaren, and Lee (2024)Anna Fiveash, Nathalie Bedoin, Barbara TillmannAnnals of the New York Academy of Sciences|December 16, 2025
Rhythm Processing Across Development: Origins, Links to Language Processing, and Perspectives for InterventionBarbara Tillmann, Usha Goswami, Sahar MoghimiJournal of Cognitive Neuroscience|January 27, 2011
Tonal expectations influence early pitch processingFrédéric Marmel, Fabien Perrin, Barbara TillmannBrain and Cognition|September 21, 2007
Cerebellar patients demonstrate preserved implicit knowledge of association strengths in musical sequencesBarbara Tillmann, Timothy Justus, Emmanuel BigandPsychonomic Bulletin & Review|June 17, 2010
Judging familiarity and emotion from very brief musical excerptsSuzanne Filipic, Barbara Tillmann, Emmanuel BigandPlos One|February 6, 2014
Thresholds of auditory-motor coupling measured with a simple task in musicians and non-musicians: was the sound simultaneous to the key press?Floris T van Vugt, Barbara TillmannBrain and Cognition|June 22, 2024
Lights on music cognition: A systematic and critical review of fNIRS applications and future perspectivesFederico Curzel, Barbara Tillmann, Laura FerreriJournal of Experimental Psychology. Human Perception and Performance|August 11, 2010
Priming in melody perception: tracking down the strength of cognitive expectationsFrédéric Marmel, Barbara Tillmann, Charles DelbéAttention, Perception & Psychophysics|March 12, 2021
What you hear first, is what you get: Initial metrical cue presentation modulates syllable detection in sentence processingAnna Fiveash, Simone Falk, Barbara TillmannPageof 18