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Plos Computational Biology|November 8, 2012
Music in our ears: the biological bases of musical timbre perceptionKailash Patil, Daniel Pressnitzer, Shihab Shamma, et al.Journal of Experimental Psychology. Human Perception and Performance|October 24, 2012
Auditory discrimination of frequency ratios: the octave singularityDamien Bonnard, Christophe Micheyl, Catherine Semal, et al.The Journal of the Acoustical Society of America|October 7, 2011
A note about insensitivity to pitch-change directionSamuel R Mathias, Peter J Bailey, Catherine Semal, et al.The Journal of the Acoustical Society of America|March 19, 2008
Investigation of perceptual constancy in the temporal-envelope domainMarine Ardoint, Christian Lorenzi, Daniel Pressnitzer, et al.Experimental Brain Research|September 19, 2003
The psychophysics and physiology of comodulation masking releaseJesko L Verhey, Daniel Pressnitzer, Ian M WinterFrontiers in Neuroscience|July 11, 2014
Probing the time course of head-motion cues integration during auditory scene analysisHirohito M Kondo, Iwaki Toshima, Daniel Pressnitzer, et al.Hearing Research|March 4, 2021
The perception of octave pitch affinity and harmonic fusion have a common originLaurent Demany, Guilherme Monteiro, Catherine Semal, et al.Journal of Experimental Psychology. Human Perception and Performance|April 3, 2013
Auditory stream segregation for alternating and synchronous tonesChristophe Micheyl, Coral Hanson, Laurent Demany, et al.Journal of the Association for Research in Otolaryngology : JARO|May 22, 2014
The auditory enhancement effect is not reflected in the 80-Hz auditory steady-state responseSamuele Carcagno, Christopher J Plack, Arthur Portron, et al.Journal of Neuroscience Methods|July 28, 2021
Probing machine-learning classifiers using noise, bubbles, and reverse correlationEtienne Thoret, Thomas Andrillon, Damien Léger, et al.Pageof 10