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Frontiers in Psychology
|
February 24, 2017
Perception and Modeling of Affective Qualities of Musical Instrument Sounds across Pitch Registers
Stephen McAdams, Chelsea Douglas, Naresh N Vempala
Frontiers in Psychology
|
October 18, 2021
A Cross-Cultural Analysis of the Influence of Timbre on Affect Perception in Western Classical Music and Chinese Music Traditions
Xin Wang, Yujia Wei, Lena Heng, et al.
Plos One
|
December 5, 2014
Investigating the role of auditory and tactile modalities in violin quality evaluation
Indiana Wollman, Claudia Fritz, Jacques Poitevineau, et al.
The Journal of the Acoustical Society of America
|
March 1, 2023
Timbral cues for learning to generalize musical instrument identity across pitch register
Stephen McAdams, Etienne Thoret, Grace Wang, et al.
Frontiers in Psychology
|
January 27, 2015
Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese Pygmies
Hauke Egermann, Nathalie Fernando, Lorraine Chuen, et al.
Nature Human Behaviour
|
December 1, 2020
Learning metrics on spectrotemporal modulations reveals the perception of musical instrument timbre
Etienne Thoret, Baptiste Caramiaux, Philippe Depalle, et al.
The Journal of the Acoustical Society of America
|
September 7, 2010
The psychomechanics of simulated sound sources: material properties of impacted thin plates
Stephen McAdams, Vincent Roussarie, Antoine Chaigne, et al.
Experimental Brain Research
|
January 22, 2016
The dominance of haptics over audition in controlling wrist velocity during striking movements
Yinan Cao, Bruno L Giordano, Federico Avanzini, et al.
The Journal of the Acoustical Society of America
|
March 25, 2010
Why are natural sounds detected faster than pips?
Clara Suied, Patrick Susini, Stephen McAdams, et al.
Journal of Experimental Psychology. Human Perception and Performance
|
January 21, 2000
Perceptual organization of complex auditory sequences: effect of number of simultaneous subsequences and frequency separation
Renaud Brochard, Carolyn Drake, Marie-Claire Botte, et al.
Page
of 5
Search research articles
Search
Showing results (21-30 of 47) with videos related to
Sort By:
Page
of 5
Frontiers in Psychology
|
February 24, 2017
Perception and Modeling of Affective Qualities of Musical Instrument Sounds across Pitch Registers
Stephen McAdams, Chelsea Douglas, Naresh N Vempala
Frontiers in Psychology
|
October 18, 2021
A Cross-Cultural Analysis of the Influence of Timbre on Affect Perception in Western Classical Music and Chinese Music Traditions
Xin Wang, Yujia Wei, Lena Heng, et al.
Plos One
|
December 5, 2014
Investigating the role of auditory and tactile modalities in violin quality evaluation
Indiana Wollman, Claudia Fritz, Jacques Poitevineau, et al.
The Journal of the Acoustical Society of America
|
March 1, 2023
Timbral cues for learning to generalize musical instrument identity across pitch register
Stephen McAdams, Etienne Thoret, Grace Wang, et al.
Frontiers in Psychology
|
January 27, 2015
Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese Pygmies
Hauke Egermann, Nathalie Fernando, Lorraine Chuen, et al.
Nature Human Behaviour
|
December 1, 2020
Learning metrics on spectrotemporal modulations reveals the perception of musical instrument timbre
Etienne Thoret, Baptiste Caramiaux, Philippe Depalle, et al.
The Journal of the Acoustical Society of America
|
September 7, 2010
The psychomechanics of simulated sound sources: material properties of impacted thin plates
Stephen McAdams, Vincent Roussarie, Antoine Chaigne, et al.
Experimental Brain Research
|
January 22, 2016
The dominance of haptics over audition in controlling wrist velocity during striking movements
Yinan Cao, Bruno L Giordano, Federico Avanzini, et al.
The Journal of the Acoustical Society of America
|
March 25, 2010
Why are natural sounds detected faster than pips?
Clara Suied, Patrick Susini, Stephen McAdams, et al.
Journal of Experimental Psychology. Human Perception and Performance
|
January 21, 2000
Perceptual organization of complex auditory sequences: effect of number of simultaneous subsequences and frequency separation
Renaud Brochard, Carolyn Drake, Marie-Claire Botte, et al.
Page
of 5